On being young, old and beyond

Writers, poets and performance artists on stereotypes about age.

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Information

Date and time Saturday 24 January 2026 22:20 tot 23:20 uur
Location Theater aan het Spui - Zaal 1
Price 15,- (up to 30 years or Ooievaarspas)
25,- (Early Bird, up to 26 December, thereafter 35,-)
32,50 (DenHaagPas).

This Writers Unlimited program Old and New Stereotypes: Rewriting Aristotle’s Ageism brought together several authors who have been invited to rewrite a section of Aristotle’s rhetorics on age.

What stereotypes about age did they like to create or debunk? Given their own writing and positionality – inspired by disability experiences, sexual fantasies, coming of age narratives, queer and trans ancestral work –, what did they find exciting about the young, the old or the prime and why?

Was the categorization of life phases according to a linear timeline useful at all, or was it merely a bad habit to break? Following Aristotle’s confident and crass tone: what ageist stereotypes did they like to reproduce or erase and what experiences and ideas did they celebrate?

To start Old and New Stereotypes: Rewriting Aristotle’s Ageism, Simon(e) van Saarloos, author of the book Against Ageism - A Queer Manifesto, introduced the theme of ageism and explains the prompts of Aristotle and the importance and fun of rewriting an old text from 350 BCE. The invited contributors read or performed a newly written text.

In 350 BCE, Aristotle wrote on the characteristics of the young, the old, and those in the prime of their life. His writing is confident and full of stereotypes, defining with certainty what the young, the old, the prime offer and lack because of their age and life phase.

Stylistically, Aristotle wrote short statements, such as about the old: “And they are cowardly and fearful ahead of time about everything; for their disposition is the opposite of the young. They are chilled, but the young are hot, so old age has prepared the way for cowardice; for fear is a kind of chilling.”

Using age to categorize people and their behavior is a long-standing tradition. Age stereotypes get waged depending on one’s political and cultural context and the positionality of the speaker. At age 49, Aristotle declared that 49 is when someone (a man) reaches their mind’s prime. The years 30 to 35 are understood as a person’s physical prime.

On being young, old and beyond was curated for Writers Unlimited Festival by Simon(e) van Saarloos.

Simon(e) van Saarloos

is a writer, artistic collaborator and curator. They are the author of Against Ageism. A Queer Manifesto (2023); Take ‘Em Down. Scattered Monuments and Queer Forgetting (2021) and Playing Monogamy (2019) as well as several books in Dutch: Herdenken herdacht (2019); Enz. Het Wildersproces (2018); the novel De vrouw die (2016); the collection of columns Ik deug / deug niet ( 2015) and Het monogame drama (2015). . Van Saarloos works as an independent curator of public programming and artistic collaborations. A current PhD candidate in Rhetoric at the University of California, Berkeley, they are interested in Black feminist engagements with quantum physics and focused on the rhetorical (im)possibility of existence without defense. Van Saarloos is currently writing a new book for AK Press, titled Trans Despair: Staying Unrelated and Insecure.

Go the website of Simon(e) van Saarloos
Instagram: @svansaarloos
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Pamela Sneed

(USA) is a New York City-based poet, performer, visual artist, and educator. She is the author of Sweet Dreams (2018), KONG and Other Works (2009) and Imagine Being More Afraid of Freedom than Slavery (1998). Her memoir Funeral Diva (2020), a poetry and prose book, documents growing up in the midst of the AIDS crisis, and focuses specifically on the experiences of Black queer women. Sneed has toured poetry and performance works domestically and abroad. Her recent show, A Tribute to Big Mama Thornton, premiered in 2024 at the Torpedo Theater in Amsterdam. Written and conceived by Sneed, it is a cabaret performance dedicated to the unsung Black woman founder of rock and roll. With a band, music and monologue Sneed sings, speaks and celebrates aspects of Willie Mae Thornton’s life. She won a 2023 Creative Capital award in literature as well as a 2024 NYSCA grant in poetry. Her visual work has appeared in group shows at the Ford Foundation, Company Gallery, and more.

Instagram: @pamela.sneed
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Alejandra Ortiz

is a trans woman refugee from Mexico who fled transphobia and violence. In The Netherlands she works toward a better life for trans persons, and especially for trans persons of colour -- with or without papers. She has established a language centre, organized symposiums and co-authored research reports, all to improve the position of trans refugees. She received the 2023 Winq Community Award for her work and the Harper's Bazaar Woman of the Year Award 2024, Ortiz wrote the autobiographical De waarheid zal me bevrijden (The Truth Will Free Me, 2022) about her youth, her life as a transgender woman, her quest for a safe place to be herself, and her asylum application process in The Netherlands. It was selected as one of ten  Dutch rainbow-books, and was nominated for the Opzij Literatuurprijs 2023.
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Staci Bu Shea

(USA, 1988) is multi-hyphenate in her artistic and cultural practices, and includes mostly writing, curating, facilitating, supporting, advising and teaching. Broadly, she convenes with others over aesthetic, critical, and poetic practices of social reproduction and care work, as well as its manifestations in interpersonal relationships, daily life, community organizing, and institutional practice. She is the author of Solution 305: Dying Livingly (2025), a collection of short essays written between 2021 and 2023 while completing her end-of-life care-training and starting a holistic deathcare practice. The writing reaches toward a future of compassionate, community-centered deathcare. She was curator at Casco Art Institute of Working for the Commons (Utrecht, 2017–2022) and co-curator of Barbara Hammer: Evidentiary Bodies at Leslie-Lohman Museum of Art (New York, 2017).

Go to the website of Staci Bu Shea
Instagram: @stacibushea
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Pelumi Adejumo

(1998) is a writer and multidisciplinary artist. In 2023, she received the Frans Vogel Poetry Prize for her multilingual work. Her practice explores the relationships between multilingualism, the body, mythology and collective memory, often through sound, performance and text. She was the translator of the multimedia performance Minor Music at the End of the World, which premiered in 2025 at Internationaal Theater Amsterdam. In 2025/2026, she will be one of the participants in the MacDowell Fellowship in New Hampshire. Adejumo publishes and performs both at home and abroad. Her work has been featured in De Gids, De Groene Amsterdammer, Point de Chute, Furious Flower IV, Museum Arnhem, Kunstmuseum Den Haag, A Tale of A Tub and Savvy Contemporary, among others. She has also worked as a thesis supervisor at the Sandberg Master BlackerBlackness Studies and is active as a programmer and translator at the international literature festival Read My World.

Instagram: @pelumiadejumo
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