All the World's Excuses

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In the Winternachten festival programme All the World's Excuses, prominent authors Chika Unigwe (US, a.o. On Black Sisters' Street), David Diop (France, International Booker Prize-winner for At Night All Blood is Black) and Caleb Azumah Nelson (UK, a.o. the well-received debut novel Open Water) talked about the global traces of slavery and how this permeates our current society, literature and their books. They addressed (post)colonialism, migration and identity formation. And, of course, they read from their own work. Interviewers were Rachida Lamrabet and Dean Bowen.

Furthermore, writer Neske Beks told about how her new book De kleine Morrison (The Small Morrison, 2023), an introduction into reading Toni Morrison's books from a Black perspective, relates to the theme of All the World's Excuses, and if that also applies to Dutch or Flemish authors with roots in former colonies. Writer Astrid H. Roemer and poet Radna Fabias also contributed with readings from their work. Singer Angel ArunA performed her own work and poems by poet and singer-songwriter Raj Mohan in Sarnámi, the language of people with a Hindustan background in Suriname and The Netherlands.

Preceding the performances in Zaal 1, we opened the evening programme in the lobby of Theater aan het Spui with a short pre-programme with readings by writer Chika Unigwe and poet Dean Bowen from their works, hosted by Sarita Bajnath.

All the World's Excuses asked questions about how stories about slavery and its abolition have taken their place in our collective memory, and about what authors pass on to young people searching for their (invisible) story and identity in the country where they were born.

On all continents, stories about these subjects went unheard, were suppressed or were rendered invisible for a long time. Thanks to the talent and work of many authors, these stories have since found a home in world literature. Through this literature, the weight of this history and the importance of sharing these stories is made palpable.
Bookstore De Vries van Stockum was present in the lobby with a stand offering books by participating authors of this programme, among others!

This programme was curated by Shantie Singh, author of a.o. the novels Vervoering (2014) and De kier (2020).

This event was in English; translations of non-English readings were simultaneously projected on a screen.

With day ticket also to afternoon programme Verhalen die verbinden (Connecting Stories)
Preceding All the World's Excuses on Sunday 16 April as of 14:30h in Theater aan het Spui was the, Dutch spoken, Winternachten festival afternoon programme Verhalen die verbinden.  A reduced price day ticket for both festival programmes on 16 April was available.

Information

Date and time Sunday 16 April 2023 from 19:30 to 22:00 hrs
Location Theater aan het Spui - Zaal 1
Price €15
DenHaagPas €12,50
Up to 30 years / Ooievaarspas: €7,50.

Shantie Singh

(The Netherlands, 1982) is an author, program maker, and moderator. Themes such as identity, diversity, women's rights, and emancipation are often central to her work. Her background is layered and connected to three continents in the countries of India, Suriname, and The Netherlands. She wrote about this in her debut novel Vervoering. This was followed by the novel De kier. In 2024, her non-fiction book Na de komma – Hindostanen en de erfenis van het kolonialisme (After the Comma – Hindustani People and the Legacy of Colonialism) was published, her plea for greater recognition and visibility of the Hindustani story in the Netherlands. This book inspired her theatre production Her (s)tories (2024-2025), an ode to the women from Hindustani migration history. In her De Dolle Kavita Talkshow, Shantie welcomes trailblazers (women, men, or anything in between) with a story that needs to be heard. She is also a member of the feministic writers collective Fixdit.

Go to the website of Shantie Singh
Instagram: @shantie.singh1
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Neske Beks

(Belgium, 1972) is a writer, transdisciplinary artist and a film and theatre maker. She debuted with De Kleenex Kronieken (The Kleenex Chronicles, 2014), a family and village chronicle featuring Priscilla, the daughter of a Flemish father and a Senegalese mother. She published the children's book Sala & Monk in 2020. In Echo - essays, speeches en brieven (Echo - essays, speeches and letters, 2021), named after the poem Echoes by Audre Lorde, she places her finger on a sore spot. Not only is the white gaze still dominant in our society, Black women are doubly disadvantaged: they aren't white and they aren't men. Beks shows how systematic is not to be seen or heard. Her essay De kleine Morrison: een wegwijzer in het lezen van haar werk vanuit Zwart perspectief (The Little Morrison: A Signpost to Reading Her Work from a Black Perspective, 2023) offers readers of Toni Morrison, the most famous female black writer and Nobel Prize for Literature winner who died in 2019, insight into her life and work. Beks shows that in everything she does, Morrison invites self-critical reflection on language, structure, power, gender, race, law and injustice, blackness, the white gaze and the meaning of oral and written narratives.
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Chika Unigwe

(Nigeria, 1974), a writer and literary scholar, lived in Belgium for years and moved to the US in 2013 where she teaches Creative Writing at the University of Georgia. Besides novels she also writes poetry, children's books, educational books and short stories. In 2005 she debuted as a novelist with De feniks (The Phoenix), a portrait of a young Nigerian in Belgium who struggles with feelings of depression and uprooting after the death of her five-year-old son. This was followed by the novels On Black Sisters' Street (2011, the original version in Dutch was published as Fata Morgana in 2008) about four Nigerian women who end up as sex workers in Antwerp, Nachtdanser (Night Dancer, 2011) and De zwarte messias (The Black Messiah, 2013). In 2019, her collection of short stories Better Never than Late, about the unusual lives and relationships of a group of Nigerian immigrants making their way in Belgium, appeared. Her new novel The Middle Daughter will be published in April 2023.
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David Diop

(Paris, 1966) grew up in Senegal. He is a Professor of Literature at the University of Pau, in south-western France. In his work - poetry, novels and academic publications - Diop explores European perceptions of the African continent and Africans, with a focus on the shared history of Senegal and France. His debut novel 1889, l'Attraction universelle (2012) tells of a delegation of Senegalese who were shown as exotic curiosities at the World's Fair in Paris in 1889. His masterful second novel Frère d'âme (At Night All Blood is Black, 2019) brought Diop international recognition after it was awarded the International Booker Prize 2021, the Prix Goncourt des Lycéens and the Premio Strega Europeo. The novel topped the French bestseller list for weeks. Like At Night All Blood is Black, his novel La porte du voyage sans retour (2022) highlights a period of colonial history.
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Radna Fabias

(Curaçao, 1983) won all major poetry awards in The Netherlands and Belgium for her 2018 poetry debut Habitus. This startling, existentialist collection deals with Curaçao, feeling at home, and her role as a (black) woman, immigrant and outsider. She studied Writing for Performance at the Utrecht School of the Arts. Fabias' work is characterized by variety, both in terms of content and style. De Groene Amsterdammer magazine commented in 2018: "Fabias dares to utilize every nook and cranny of poetry as an art form; some poems are short and lyrical, others narrative and long, sometimes they are clear and accessible and then hermetic and experimental." Habitus has been published in France, Italy, Germany, Argentina and the USA. Fabias also translated poetry collections by British poet Warsan Shire and Nobel Prize winner Louise Glück into Dutch.
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Sarita Bajnath

is a moderator, trainer and presents the book talk show Leesoffensief which is broadcast on regional Dutch broadcaster AT5. Besides being a fan of books and sharing stories that bring in other perspectives, she has her own company through which she trains international organisations and companies on privilege, intersectionality, inclusion and safety.
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Angel ArunA

knows how to touch like no other with her voice and the songs of Bollywood. She is a well-known name in the Surinamese-Hindustani and Indian communities as a singer-songwriter, and did the soundtrack for Zoop in India, the feature film that screened in cinemas in 2006 with great success. As part of the Bidesia project, she performed in India during Kumbh Mela, the biggest religious festival in Hinduism. Because of her multilingual background, but with her heart in her mother tongue Sarnámi, she has had a major part in musical collaborations with Indian singer Asha Bhonsle, British rapper Apache Indian, the Metropole Orchestra, singer Kenny B, the Residentie Orkest and the Matangi Quartet, among others.
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Caleb Azumah Nelson

(UK, 1993), writer and photographer, grew up in south-east London, which is also the setting of his bestselling debut novel Open Water (2021). He has featured in many publications including Litro and The White Review; his short story Pray was shortlisted for the BBC National Short Story Award in 2020. Open Water won the Costa First Novel Award and Debut of the Year at the British Book Awards, and was a number-one Times bestseller. This is an intense love story: "tender, carefully observed and reported, shedding light on the limitations of masculinity." (The Guardian). Two young people meet in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. His second novel Small Worlds will be published in May 2023.
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Astrid H. Roemer

(Suriname, 1947) made her mark with Over de gekte van een vrouw (About the Madness of a Woman), an experimental novel about the complexity of being a woman. In the 1990s she wrote three decolonisation novels that she called her "triplets": Gewaagd leven (Daring Life, 1996), Lijken op liefde (Resembling Love, 1997) and Was getekend (Signed, 1999), now collected as Onmogelijk moederland (Impossible Motherland). Roemer is praised in both Suriname and the Netherlands for her daring and willfulness in her now extensive oeuvre of poetry, prose and theatre texts. She was awarded the 2016 P.C. Hooft Prize, and in 2021, for her entire oeuvre, the Dutch Literary Prize. Her 2018 novel Gebroken wit (Broken White) is an impressive portrait of the Vanta family, in which Surinamese mores and norms leave a legacy. The anthology Ik ga strijden moeder: gekozen gedichten (I'm going to fight mother: chosen poems, 2021) includes work from her first collection from 1970 to poetry she published from 2015 to 2020. Around themes of identity and the contradictions between Suriname and the Netherlands, Roemer sophisticatedly interweaves the lives of five characters in her latest novel DealersDochter (Dealer's Daughter, 2023).
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Rachida Lamrabet

(Morocco, 1970) is a fiction and theatre author, lawyer and teacher. She won the 2008 Flemish debut prize for her novel Vrouwland (Women's Country; 2007) about migrant youths dreaming of a better life. In 2006, her story Mercedes 207 was awarded the Kif Kif Literature Prize. Her short story collection Een kind van God (A Child of God) was published in 2008, followed by the novel De man die niet begraven wilde worden (The Man Who Didn't Want to be Buried), awarded with the Ultima, the Flemish state prize for culture. As in her debut, issues such as identity, religion, migration and the position of minorities play an important role. Her novel Vertel het iemand (Tell Somebody, 2018) deals with the life of a Berber boy and the deliberately concealed role played by Moroccan soldiers in the First World War. Lamrabet is a member of the writers' collective Fixdit, which aims to raise awareness of gender inequality in literature. She is a practice assistant in discrimination law at the Legal Clinic of the Law Faculty of the Ghent University and also teaches at the Odisee College in Brussels.
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Martine Woudt

(1957) has worked full-time as a French-Dutch translator since 2004. Her translation oeuvre comprises over 60 titles, including works by Albert Camus, Simone de Beauvoir, Maryse Condé, Philippe Besson and David Diop, and comics by Pénélope Bagieu and others. She taught at the School of Translation in Amsterdam for ten years, and during the same time taught an annual minor in literary translation at the Institute for Interpreting and Translation in Utrecht. She also chaired the literary translators' working group of the Vereniging van Letterkundigen (now the Auteursbond) for four years. In 2007, she received the Elly Jaffé Stipendium for promising beginning French-Dutch translators. In 2020, she won the European Literature Prize for Meer dan een broer, her translation into Dutch of International Booker Prize winning novel Frère d'âme (At Night All Blood is Black) by David Diop. For her translation of Philippe Besson's Arrête avec tes mensonges (Lie with Me) Martine Woudt was awarded the Euregio Literary Prize for Scholars 2021.
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Dean Bowen

(The Netherlands, 1984) is a poet, performer and events programmer. As evident in his multilingual poetry collection Bokman (2018), his work looks at the relationship of people's identity to society. A strong performance won him the first Van Dale SPOKEN Award. In 2019 and 2020 he was poet laureate of Rotterdam. Ik vond geen spoken in Achtmaal (I Found No Ghosts in Achtmaal, 2020) describes, via diary entries, poems, confessions, and rituals, the search for what remains of a person long after he has died. He has published poems on the online platforms SampleKanon and Hard//Hoofd and in magazines such as nY and Kunsttijdschrift Vlaanderen. He teaches performance literature and poetry at the Creative Writing programme at ArtEZ. Together with Flemish writer and musician Joost Hoekaf, he creates introspective hip hop in the Vudu Cru project. His next collection, Masc:r, will be published in January 2026.

Instagram: @dean_bowen
Instagram: @vudu.cru
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Nazrina Rodjan

is a Dutch-Surinamese visual artist of Hindustani (indentured Indian) descent. Rodjan was born and raised in Rotterdam and holds a BFA from St. Joost School of Art and Design. Rodjan primarily works in graphite and oil. Her work represents themes of migration, queerness and diaspora, and a significant part of her work focuses on portraiture: portraits of people of color, ancestral photographs and colonial postcards. She is committed to tell marginalized and invisible stories using traditional painting techniques. She spends her time painting between the Netherlands and the U.S. Her project KALA PANI: 1873 - 2023 is an ongoing series of oil paintings portraying indentured Indian women who were photographed as colonial objects in the nineteenth and early twentieth centuries on plantations in the Caribbean throughout Suriname, Trinidad and Tobago and Guyana.
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