The Tale of Two Continents (world premiere)

Concert and tribute to Sitor Situmorang with new Indonesian compositions based on his poetry featuring Orkest De Ereprijs, Bernadeta Astari, Georgi Sztojanov, Robin Block and Alfian Emir Adytia.

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Information

Date and time Friday 24 January 2025 20:00 tot 21:05 uur
Location Theater aan het Spui - Zaal 1
Price SOLD OUT

Thirty years ago, our festival began as Indische Winternacht, in the context of the then 50th anniversary of Indonesia's independence. Indonesian poets, musicians, and other artists were guests at that first edition. Then the festival went on to be called Winternachten and now Writers Unlimited, but all these years the cultural and literary connection with Indonesia has remained an important part of our festival.

On this first grand festival night of our 30th anniversary and of the commemoration of 80 years of Indonesian independence, we bring a world premiere by Orkest De Ereprijs: a spectacular tribute to the Indonesian poet Sitor Situmorang (1924-2014). He was a welcome guest at the festival from the very beginning: in 1997, and in 2005 and 2007. Writer Marjolijn van Heemstra opens the concert with a short introduction.

Orkest De Ereprijs plays seven new compositions based on poetry by Sitor Situmorang in The Tale of Two Continents. Soloists are soprano Bernadeta Astari and tenor Georgi Sztojanov. Robin Block, who has family ties in Indonesia, had recitations of two of his own poems - chosen for their kinship with the work of Sitor Situmorang -, accompanied by new works from and performed by Indonesian composer and cellist Alfian Emir Adytia, who lives in the Netherlands.

The poems by Situmorang chosen by the composers have been published in his bilingual poetry collection Lembah Kekal/Eeuwige Vallei (Jakarta, 2004) and the collection To Love, To Wander with English translations of his poems.

Sitor Situmorang, one of Indonesia's greatest poets, was born on 2 October 1924 in Harianboho at the borders of Lake Toba, Indonesia and died on 20 December 2014 in Apeldoorn, The Netherlands. He lived through tumultuous times of change: his early youth was rooted in traditional Batak culture, he came of age in colonial times and Japanese occupation, engaged in the strive for freedom as a young journalist, became Soekarno’s advisor on cultural affairs, was a political prisoner under Suharto and finally witnessed the beginning of democracy in the late nineties.

Orkest De Ereprijs is based in the Dutch city of Apeldoorn, the last hometown of Sitor as well. The orchestra has nurtured strong ties with the world of contemporary music in Indonesia through contacts of Sitor, notably by his widow who stimulated the application of Indonesian young composers to its yearly Young Composers Meeting.

The commemoration of Sitor therefore built on this connection: seven young Indonesian composers, former participants of the YCM wrote compositions to a poem by Sitor for the Apeldoorn orchestra and Indonesian soprano based in the Netherlands Bernadeta Astari or tenor Georgi Sztojanov. The composers were Septian Dwi Cahyo, Nursalim Yadi Anugerah, Wilson Leywantono, Hilmi Ridha Marhadika, Yayi Wira Pamungkas, Irene Tanuwidjaja and Gavin Wiyanto.

The orchestra performed, conducted by Mikel Fernández, in its permanent line-up of 14 musicians with two flutes, clarinet/bass clarinet, two saxophones, trumpet, two trombones, horn, tuba, electric guitar, bass guitar, piano and percussion (classical, modern, drums).

Orkest De Ereprijs

For 45 years, Orkest De Ereprijs is the ensemble for newly composed music in the east of the Netherlands. As an ‘instrument for living composers’, Orkest De Ereprijs commissions composers for compositions that the orchestra performs itself. The collective also initiates innovative, interdisciplinary projects, which it realises in collaboration with partners, with a special interest in poetry. This approach has earned De Ereprijs its own place in the world of newly composed music. The orchestra has a permanent line-up of 14 musicians with two flutes, clarinet/bass clarinet, two saxophones, trumpet, two trombones, horn, tuba, electric guitar, bass guitar, piano and percussion (classical, modern, drums). In the Writers Unlimited Festival 2025, the orchestra, led by conductor Mikel Fernández, performs Tale of Two Continents, featuring new works by young Indonesian composers who were inspired by poetry by Sitor Situmorang.
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Robin Block

(The Netherlands, 1980) is a poet and musician. His performances combine language, music and the bodily. Following his roots and family history, much of his work is related to the colonial past of the Netherlands and Indonesia, as well as the topics of belonging and displacement. His last poetry collection Handbook for the Displaced was awarded the Herman de Coninck prize and the J.C. Bloem poetry prize, and was translated into English and Indonesian. Several of his poems were screened in Manual for the Displaced, a poetry film project together with cinematographer Jeremy Flohr. Block also writes columns, teaches poetry and works as an editor for Dutch poetry magazine Awater.

Go to the website of Robin Block
Instagram: @robinblock
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Marjolijn van Heemstra

(Amsterdam, 1981) - writer, poet, and journalist – gained attention in 2009 with her first poetry collection Als Mozes had doorgevraagd. In 2012, her debut novel De laatste Aedema was published. In her work, she explores how we can think differently about ourselves and the world. Since 2019, she has written about how space can help us see the Earth from a new perspective, in a.o. her essay Wat is ruimte waard. The theatre play based on this book, Maankoorts, premiered in June 2024. Since 2019, Van Heemstra has been a space correspondent at De Correspondent. She creates podcasts (including Sør, Stadsastronaut en Als geschiedenis in je opstaat) and recently conducted research on the value of the night. In 2025 she performs her stage play Observaties van een theaterrat.
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Georgi Sztojanov

is a singer, composer and coach originally from Bulgaria, now based in The Hague. He specializes in performing modern music, such as title roles in Michael’s Jugend and Invasion explosion by Stockhausen with Dutch National Opera, Stravinsky's opera Mavra, and main roles in Philip Glass' The Fall of House of Usher (Opera2day). His compositions inclue a wide spectrum of works, from oratorio to opera, music theatre and instrumental chamber music, yet vocal works take a special focus. Since 2017 he teaches the course ‘Modern Ensemble Singing’ for singers and guides composition students in vocal writing at The Royal Conservatoire The Hague. He is the vocal coach at the Young Composers Meeting with Orkest De Ereprijs where he is involved for more than ten years.
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Bernadeta Astari

(Jakarta 1988) is a soprano and voice artist. She obtained her master's degree in classical singing cum laude from the Utrecht Conservatory in 2012 and started as a soloist with the Nederlandse Reisopera and the Veenfabriek. She sang, danced and performed in productions such as LIGHT, a dance opera by LeineRoebana and Opera Suor Angelica by Nico & the Navigators Berlin with the Berlin Philharmonic Orchestra. Her passion for music, language and theatre stems from her childhood in Indonesia and is a driving force in her work. This makes her an exceptional performer who dares to push boundaries and works closely with composers such as Boudewijn Tarenskeen, Sinta Wullur and Tony Prabowo.
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Alfian Emir Adytia

(Indonesia) aka EMIR is an Indonesian composer, cellist, music producer and educator, residing in the Netherlands. Following his classical music study at the Royal Conservatoire The Hague, Emir Adytia embarked on a musical journey, resulting in the release of numerous albums and EPs. His work is deeply influenced by his Javanese and Minangkabau cultural heritage, which adds a distinctive layer to his interpretations of both historical and contemporary Western music. Emir Adytia performes on prominent stages around the globe, including the Cello Biënnale Amsterdam, among others. His music has reached diverse audiences, from a grassroots community of young cellists in Yogyakarta to film screenings in Los Angeles and Montreal.

Go to website Emir Cello
Instagram @emir.cello
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Mikel Fernández

Spain, 1996) is conductor of Orkest De Ereprijs and assistant conductor of Sinfonia Rotterdam, among others. He studied orchestral conducting at the Conservatoire in Oviedo and then at Codarts Rotterdam, where he obtained his Master's degree in 2022. Meanwhile, he has worked on some of the most prestigious stages, such as with the Orquesta Nacional de España at the Auditorio Nacional (Madrid), at Amare (The Hague) for the New Year's Concert with Sinfonia Rotterdam, with the Orchestre de la Suisse Romande (Geneva) or with the Zagreb Philharmonic Orchestra (Zagreb) as one of the finalists for the position of assistant conductor and the Lovro von Matacic Competition 2023, respectively. During Friday NIght Unlimited of the Writers Unlimited International Literature Festival The Hague 2025, he will conduct Orkest De Ereprijs in the world premiere of The Tale of Two Continents featuring new pieces by young Indonesian composers.
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Septian Dwi Cahyo

(Indonesia) studied music composition with Beat Furrer at the University of Music and Performing Arts Graz. Musicians/ensembles like Orkest de Ereprijs, Caroline Delume, and Talea Ensemble have performed his works. He received the ASEA Uninet SP24 and Ernst Mach grants in 2018 and 2019 for studies in Austria. Babel Scores published his compositions, and in 2023, he received Arbeitsstipendium from the Austrian Federal Ministry of Arts.
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Irene Tanuwidjaja

(Indonesia) is a composer currently pursuing master's of music degree in Music Composition at the Hochschule für Musik und Tanz Köln with Michael Beil. Irene's music explores the concept of gestural motions, and musicality of sounds from her surroundings in day-to-day life. Irene is also a co-artistic director of RadarSuara, a composer collective where she contributes her research and work based on Indonesian traditional music and local cultures. Her music have been performed at numerious festivals and ensembles such as Pekan Komponis Indonesia 2019 held by Jakarta Arts Council, virtual concert Either/Or Spring's Festival: Streamworks Volume II held by Either/Or ensemble, Young Composers Meeting 2022 organized by orkest de ereprijs, Soundwalk Schokland organized by Museum Schokland and Ensemble Black Pencil, IntAct Festival organized by Thailand Music and Arts Organization and Tacet(i) Ensemble, Ensemble Mosaik, ZKM and among others.
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Hilmi Ridha Mahardika

(Indonesia) graduated from Universitas Pendidikan Indonesia (UPI) Bandung, majoring in music education. He studied music composition with Iwan Gunawan. In 2019, he participated in 25th Young Composers Meeting by Orkest de Ereprijs in Apeldoorn, Netherlands, and ASEAN Youth Ensemble at Princess Galyani Vadhana Institute of Music in Bangkok, Thailand. In 2024, he won 3rd place in Indonesia Percussion Ensemble Composition Competition (IPECC 2024) held by Yayasan Musik Amadeus. He was also involved in a project with Indonesian metal band ‘JASAD’ to arrange their music with gamelan. Besides composing music, he is a gamelan player in Kyai Fatahillah Ensemble from Bandung and was part of a tour with Black Pencil in Holland and Germany in 2022, as well as in Indonesia in 2023. With Kyai Fatahillah, he performed works by several composers,including Iwan Gunawan, Dieter Mack, Roderik de Man, Slamet Abdul Sjukur, Klaus Kuiperand Moondog. Currently, he has formed a duo project called Duo Reboot that focuses on sound, body movement, and light design.
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Wilson Leywantono

(Indonesia) is a composer and electronic modular synth artist currently based in Indonesia. His works has been part of festivals series including Orkest de Ereprijs’s Young Composers Meeting, Biosphere, Ideas of Noise, Spring Festival The Hague, Rosetta Contemporary Ensemble’s Asia Corridor, Harmos Festival, and others. His works found inspiration in minimalism, food/cooking, synthesised sound, and listening.
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Yayi Wira Pamungkas

(Indonesia) is a composer who explores environmental acoustics, spectral music, indeterminacy, and influences of traditional Indonesian music. He studied music composition at Institut Seni Indonesia, Yogyakarta. He was selected as a participant of Pekan Komponis Indonesia 2019 in Jakarta, 26th Young Composers Meeting 2020 in the Netherlands, Borneo Ensemble International Composition Competition in Malaysia, Thailand International Composition Institute 2022 in Thailand, and First Winner of UPH-INMF 2023.
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Gavin Wiyanto

(Indonesia) is a music teacher at Sekolah Kristen Calvin in Jakarta, where his composition Symphony no. 2 – ProLife Symphony was premiered by the Jakarta Sinfonietta Orchestra in 2024. He is also an assistant conductor and composer at Parahyangan Orchestra in Parahyangan Catholic University Bandung. He studied media composition and applied music in University of Music and Performing Arts Vienna, Austria.
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Nursalim Yadi Anugerah

(Indonesia) is a composer and multi-instrumentalist. His work contains echoes of various styles: Kalimantan music and symbols, the Indonesian underground noise scene, ritualistic chants, and European avant-garde compositions, all unified under his politically driven project. Through his works, Nursalim offers a rich critique by highlighting the junction between ecology, technology, and decolonization; a path amidst the impasse between theoretical academic discourse and the urgency of Kalimantan’s environmental catastrophe. His works have been staged in some concert and festival such as International Young Composers Meeting 2018 (The Netherlands), Gaudeamus Muziekweek 2018 (The Netherlands), AsiaTOPA 2020 (Melbourne, Australia), Holland Festival 2021, Amsterdam (The Netherlands). In 2021-2022, he is awarded by Prince Claus Mentorship Award for Cultural and Artists Response to Environmental Change by Prince Claus Foundation and Goethe Institut. Currently he is a JACK-Studio Artist in Residence for JACK Quartet (US).
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