(Hoorn, 1968) is a journalist who started his career at local radio station Amsterdam FM; after that he became editor of De Digitale Stad, hosted AT5's newshow and talkshows. Then he returned to making radio: first at BNR Nieuwsradio and afterwards at VPRO's programme De Avonden which he presented every Monday and Friday. Since 2015 Van Kan is radio news show host at national public broadcaster NOS; he also can be heard as voice over during TV news shows. Spring 2016, he hosted literary TV programme Boeken. Next to this, Van Kan is active as editor of literary magazines. Until 2007 he was part of the editorial board of De Tweede Ronde. Afterwards he moved to literary magazine Tirade. Together with Wim Brands he is co-editor of Nederland. Een objectief zelfportret in 51 voorwerpen (The Netherlands. An objective autoportrait in 51 objects), a collection of texts about typically Dutch objects by the same number of writers.

(Georgetown, Penang, Malaysia, 1968) is a Malaysian writer, poet, actor, photographer and filmmaker. She graduated with a B.Ed in English Literature and TESL (Teaching English as a Second Language) from the University of Winnipeg, Canada, and has worked extensively in the arts for over 20 years. Of Chinese and Punjabi parentage, her work stems from the desire to tell stories, and she has worked with marginalised communities from sex workers and refugees to indigenous peoples, in mediums that incorporate film, photography and prose. She has published two collections of poetry, going there and coming back (1997), The Book of Sins (2008), a collection of short stories, Lost in KL (2008) and a critically-acclaimed memoir Growing Up With Ghosts (2011), an exploration of grief, personal and political history, and bloodlines. She works in both Bahasa Malaysia and English, and her work has been exhibited, screened, published locally and internationally. She is also the founder of Readings and CeritAku, two live literary platforms in Kuala Lumpur, now in its eighth year. She lives in Kuala Lumpur with her two daughters and she keeps a blog of her work at bernicechauly.wordpress.com.

(Iraq, 1971) fled his country in 1998 after completing architecture studies, was given asylum in the Netherlands and settled there legally in 2007. Since then he has published poetry, novels and collections of his columns. He received the 2000 El Hizjra literature award and the 2011 Literature Prize of the European Union. In 2013 he published Liever niet, antwoordt de liefde (Maybe Not, Was Love's Reply), an anthology of refreshing love poetry. His novel Hoe ik talent voor het leven kreeg (Two Blankets, Three Sheets) tells of his experiences as an asylum seeker in the Netherlands. Al Galidi published the short story collection Duizend-en-een-nachtmerries (A Thousand and One Nightmares) in 2017 and a poem collection Neem de titel serieus (Take the title seriously) in 2018.

(Nigeria, 1974), a writer and literary scholar, lived in Belgium for years and moved to the US in 2013 where she teaches Creative Writing at the University of Georgia. Besides novels she also writes poetry, children's books, educational books and short stories. In 2005 she debuted as a novelist with De feniks (The Phoenix), a portrait of a young Nigerian in Belgium who struggles with feelings of depression and uprooting after the death of her five-year-old son. This was followed by the novels On Black Sisters' Street (2011, the original version in Dutch was published as Fata Morgana in 2008) about four Nigerian women who end up as sex workers in Antwerp, Nachtdanser (Night Dancer, 2011) and De zwarte messias (The Black Messiah, 2013). In 2019, her collection of short stories Better Never than Late, about the unusual lives and relationships of a group of Nigerian immigrants making their way in Belgium, appeared. Her new novel The Middle Daughter will be published in April 2023.

(Turkey, 1968) is of Kurdish descent. In 2011 Dağın Ardına Bakmak (Looking Behind the Mountain) appeared, for which she took to the mountains to interview PKK rebels, the first time a writer sketched the personal stories and traumas of the Kurdish fighters. In 2011 Doğunun Kapısı: Diyarbakır (The Gate of the East: Diyarbakir) also appeared, a portrait of the 3000 year old capital of Kurdistan. As a columnist for the English language newspaper Zaman Matur writes regularly about the Kurdish question. In addition she chairs the Diyarbakır Cultural Art Foundation. She also leads social projects for women, children and adolescents and makes a tv-programme on culture, art and politics. She read law at the University of Ankara. Since the publication of her first book of poetry in 1996, Rüzgâr Dolu Konaklar (Wind-Filled Countryhouses) she has created her own mythology - inspired by age-old Sufi traditions from the region of her birth. Meanwhile she has six books of poetry to her name and an anthology with poems she translated. Her work has been translated in seventeen languages.

(1954, Iran) is the pen name of Hossein Sadjadi Ghaemmaghami Farahani. Since his debut De Adelaars (The Eagles) in 1993 he has navigated between two worlds, the Netherlands and the country of his birth. Abdolah grew up in a harsh, Islamic region. Since he was twelve he read western literature and caught the scent of freedom. While studying physics in Teheran, he joined a secret leftwing party. In 1980 he published two collections of short stories clandestinely under the name Kader Abdolah. In 1988 he fled Iran and ended up in the Netherlands where he has since published a large body of works consisting of novels, short story collections and collected columns, published under the pen name Mirza in de Volkskrant. In Papegaai vloog over de IJssel (Parrot flew over the IJssel, 2014) four migrant families build a new existence in typically Dutch villages along the river; in Salam Europa (2016) the Shah of Persia travels through Europe late in the 19th century, accompanied by a large following of bickering courtiers.

is a writer, actress and theatre artist. Her 2011 debut novel Zehra features a Turkish girl who is disowned because she is different. All her work poses one central question: how does one relate to those with different opinions without denying oneself? As an actress, Nazmiye Oral performed in Oesters van Nam Kee, Combat, Hertenkamp and Baantjer. She also toured the Netherlands, Belgium and US with Gesluierde Monologen (Veiled Monologues). She wrote one of these monologues, about a wife who loses contact with her husband. In 2010 Retour Hollands Spoor premiered, her second play for the Nationale Theatre, which she wrote with Gerardjan Rijnders. In 2020, she was a featured guest in prominent Dutch TV interview program Zomergasten (Summer Guests).

(Brussels, 1968) is rightly called a multitalent. She sings, acts, writes, dances and is a visual artist. Ghalia Benali grew up in Tunisia. At age 21 she came to Brussels to study graphic arts. She took with her the music from her youth and childhood days: from French chansons, Persian and Egyptian music to sung readings from the Koran. With her present theatrical tour she pays homage to the great Oum Kalthoum, assisted by Moufadhel Adhoum (üd), Vincent Noiret (double bass) and Azzedine Jazouli (Arabic percussion). The Egyption singer, who died in 1975 is still known today as the voice of the Arab world. ‘Oum Kalthoum was my first musical school’, says Ghalia. At age four she listened tirelessly to an LP record of ‘Al Atlal’, probably partly fascinated by the hypnotic spinning of the record. With her tour Ghalia Benali aims at bringing to life again the overwhelming emotion of the profound and authentic songs of the great Egyptian diva.