Jonge makers, oude meesterwerken | Let's get physical

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Experience the Mauritshuis with all your senses. Writers Unlimited, the Mauritshuis and deBuren joined forces and invited Dutch and Flemish writers and performers to a special encounter between literature, the body and visual art. Under the motto and festival theme Let’s get physical, contemporary artists responded to masterpieces from the past and took you on a surprising, sensory journey of discovery through the museum.

Writers Roan Kasanmonadi, Lucas Rijneveld, Tuly Salumu and Lize Spit took up the challenge of exploring physicality in the broadest sense of the word and writing about art with all their senses – art that you are not allowed to touch. They each wrote a powerful new text or poem and bring it to life in front of the painting that inspired them. Lucas Rijneveld had to cancel his participation but his text was read nonetheless.

In the Gouden Zaal, dancer and choreographer Melisa Diktaş's movement language was given free rein. She drew inspiration for her performance from this unique museum space.

And what is the body or the imagination without nourishment? Together with culinary journalist Hiske Versprille, we delved into a painting full of food and tasted Clara Peeters' Still Life with Cheeses, Almonds and Pretzels, painted around 1615, in a unique way.

This evening, we built bridges: between painting and literature, between the Netherlands and Flanders, and between the past and the present. Everything entered into dialogue with each other. A literary view of visual art not only deepened the meaning of a work, but also opened up new ways of engaging with it. By looking beyond boundaries, we encountered the other and, at the same time, more of ourselves. And those who understand the past can better see where they stand.

Practical information
*Visitors were divided into groups, which followed the various programme components in parallel. This way, everyone experienced all the performances.

*Drinks were available in the Foyer during the interval and after the performance.

*Tip: this programme was followed by Mensen Zeggen Dingen x Writers Unlimited Festival in GR8 (starting at 10 p.m., Prinsengracht 8, about a 15-minute walk), the literary afterparty with poetry and spoken word recitals. For tickets, see the Paard website here.

From 22 to 25 January 2026, Writers Unlimited International Literature Festival The Hague was to be found in theatres, museums, libraries and schools throughout the city: from Theater aan het Spui, Filmhuis Den Haag, GR8 to Theater and Filmhuis Dakota, Mauritshuis, Curaçaohuis, the Laakkwartier, Nieuw Waldeck, Schilderswijk and Ypenburg libraries, the Institute of Social Studies and De Haagse Hogeschool. With over 100 writers, poets, spoken-word artists and musicians from the Netherlands and abroad. With readings, prose, poetry, storytelling, spoken word, author interviews, topical talks, films and music.

Information

Date and time Thursday 22 January 2026 from 19:00 to 21:20 hrs
Location Mauritshuis
Price 8,50

Lize Spit

(Belgium, 1988) grew up in the Antwerp Kempen region, but has lived in Brussels since 2005. In 2016, she made her successful debut as a novelist with The Melting (2021), a story about a girl named Eva who grows up with two boys from her small Flemish village. Everything changes when the boys reach puberty and present Eva with an impossible choice. The book was translated into fifteen languages and won several awards. In 2020, her second novel Ik ben er niet (I am not there) was published, a story about devotion and betrayal, about two people who are flawed in their own way, but who do their utmost to be noticed, to love and to live. Lize also publishes prose and poetry in various literary magazines and is a columnist for Flemish daily newspaper De Morgen. Her critically acclaimed book Autobiografie van mijn lichaam (Autobiography of My Body, 2024) is a poignant, confrontational, but also loving exploration by a daughter who tries to understand not only her mother, but also her own troubled relationship with her body.

Go to the website of Lize Spit
Instagram: @lizespit
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Tuly Salumu

(Belgium, 1988) is a novelist, journalist and columnist for Flemish daily newspaper De Morgen. Her debut novel Bintje is a tragic coming-of-age story about a girl with Congolese roots living in the Belgian suburbs. Bintje, which focuses on the themes of love, domestic violence, racism, addiction and motherhood, was published in 2023. Her concise and direct language has been compared to the style of Edouard Louis. Salumu is also a highly regarded essayist and columnist. In her essay Gezocht: de zwarte genen van mijn witte zoon (Wanted: the black genes of my white son) – nominated for the Joost Zwagerman Essay Prize – Salumu describes her attempts to research her son's black identity, which symbolise her larger questions about the uncertainty and futility of colour and genes. She is currently working on her second book, a novel about romance, religion and neurodiversity.

Go to the dwebsite of Tuly Samulu
Instagram: @tulinabintou
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Roan Kasanmonadi

(1995) is a Rotterdam-based poet and spoken word artist. Alongside this, he is a trainee psychiatrist and modern dancer. In his work, he combines abstract associations with everyday language and references to pop culture. He has previously spoken for Poetry International, Mensen Zeggen Dingen and Brainwash, among others. He took part in the Paris writing residence of deBuren. In 2024, he published his debut collection Vuurbloem (Fire flower), in which he travels through a variety of landscapes - from the Rotterdam quayside to the race tracks in Mario Kart. Along the way, he describes how life can lambast you, and how you learn to pick yourself up again.

Instagram: @kasanmonadi
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Lucas Rijneveld

(The Netherlands, 1991) is a writer and poet. The first Dutch writer to do so, Rijneveld won the 2020 International Booker Prize for The Discomfort of Evening, the English translation by Michele Hutchison of his 2018 debut novel De avond is ongemak. His Kalfvlies (Calf's Membrane, 2015) won the C. Buddingh Prize for best poetry debut, was followed in 2019 by his collection Fantoommerrie (Phantom Mare). His poems are riddle-like prose stories featuring notably strong metaphors. He writes about grand themes like death and loneliness, and about his experiences as the country child who goes to study in the big city.  In 2021 he published his second novel Mijn lieve gunsteling, in which a veterinarian and a farmer's daughter develop a mutual obsessive fascination. Its English version My Heavenly Favorite was awarded the James Tait Black Prize for Fiction in 2025. His poetry collection Komijnsplitsers (Cumin Splitters, 2022) explores what it means be home: in a house, within oneself, and in relation to others.

Instagram: @lucasrijneveld
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Hiske Versprille

(The Netherlands, 1982) is a writer, culinary journalist, and poet. Since 2018, she has been writing the weekly restaurant review for Volkskrant Magazine about restaurants throughout the country, from Michelin-starred establishments to snack bars. She also regularly writes background pieces on both gastronomy and more everyday (pop) culinary phenomena such as crisps, sweets, and funeral cakes. Versprille has made several podcasts and also writes for De Groene Amsterdammer and Hard//hoofd. Above all, she is interested in how and what we eat, and all the beautiful and ugly things that happen before and after. She previously cooked in various restaurants in Amsterdam and London, and she is a graduate in ethics. She likes to call herself a principled omnivore, but she finds low-fat margarine disgusting.

Instagram: @hiskeversprille
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Melisa Diktaş

(The Netherlands) is a dancer of Kurdish and Indonesian descent, born in the Netherlands. She works as a performer in theatrical productions, collaborating with a wide range of companies, choreographers, poets and events. Her solo performances, collaborations and creative processes are rooted in her unique movement dialect and personal worldview, which reflect her beliefs and cultural background. Melisa approaches the creative process from a deep connection with her origins and vision that ‘everything that moves dances’. Her work explores both what connects us and what distinguishes us.
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