1984: War is Peace, Freedom is Slavery, Ignorance is Strength

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Writers Unlimited presented the filmprogram 1984: War is Peace, Freedom is Slavery, Ignorance is Strength. The world-famous dystopian future novel Nineteen Eighty-Four (aka 1984) by George Orwell from 1949 and its film adaptions give a gloomy world view, which is regularly referred to even now, in "corona times". With quotes and film fragments, novelist, columnist, essayist, poet and screenwriter Arnon Grunberg and film editor of Writers Unlimited Gerlinda Heywegen discussed 1984.

"The past was erased, the erasure was forgotten, the lie became the truth." - 1984
 
Increasing government control, fake news, hoaxes, algorithms lead to confusion and even revolt. How current is Nineteen Eighty-Four after more than seventy years? Are "we" in 2021 being controlled to such an extent that it can lead to a 1984? Does technological progress make it possible and is our world capable of it? What does Orwell's research of humanity mean for our time?
 
"In 1984 there is a very powerful element in which the government can create an alternative reality," says Michael Newton, lecturer in English literature at Leiden University. "The truth becomes something pliable, which you can prescribe an alternative version of." - nu.nl

The 1984 television adaptation was first broadcast by the BBC on December 12, 1954, and then repeated live on December 16. Viewers were shocked by Orwell's vision of a future authoritarian state and by the scenes in which the hero Winston Smith was tortured in the infamous Room 101. Complaints poured in and questions were asked in The Parliament. The BBC rerun would almost have been cancelled: the broadcast went ahead with 1 vote in favour. When it was broadcast a few days later, it immediately attracted the largest number of viewers ever. Years later, in 2000, Nineteen Eighty-Four ranked seventy-third of the 100 best British television programs of the 20th century.

Dutch filmprogram.

Event curated by Gerlinda Heywegen (Writers Unlimited)
Books for sale courtesy of De Vries Van Stockum Books

Please note! 

  • It is mandatory to show an identity card and a corona admission ticket at the entrance.
  • The corona admission ticket is mandatory for adults and children older than 13 years.
  • There is a maximum occupancy of 75% in Studio B, Central Library.
  • When entering the Central Library, wearing a face mask is mandatory. This can be taken off again when you take your seat in the venue.
  • In the event of cancellation due to corona complaints, we return the purchase amount.

Information

Date and time Thursday 11 November 2021 from 20:30 to 22:00 hrs
Location Podium B - Centrale Bibliotheek Den Haag, Spui 68, 5e etage

Gerlinda Heywegen

(1968) is a programmer, writer, organizer, lecturer and podcaster, mainly on the subject of film and often in combination with literature. Koning Film is the collective of speakers on film that she established. Heywegen's books include The Other Director, about directors of photography; she collaborated with Frans Westra on Passie voor Cinema (Passion for Cinema), which highlights four decades of film screenings in the Netherlands; and she edited and wrote for the film magazine Skrien. Currently, she writes regularly for the websites of the Netherlands Society of Cinematographers and literary magazine Elders.
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Arnon Grunberg

(Netherlands, 1971) is one of the most successful Dutch writers, both at home and abroad. The prolific novelist, columnist, essayist, poet and scriptwriter lives and works mainly in New York. His fiction tackles themes such as religion, parenthood, love and relationships. His essays, columns, debates and performances seek out the polemics on topical issues. His debut novel and international breakthrough, Blauwe maandagen (Blue Mondays, 1994), was followed by award-winning and internationally successful novels such as Phantom Pain (2000), The Asylum Seeker (2003), Tirza (2006), Onze oom (Our Uncle, 2007), Huid en haar (Tooth and Nail, 2010), Moedervlekken (Birthmarks, 2016) and Bezette gebieden (Occupied Territories, 2020). Between 2000 and 2008 he also published novels and essays under the pseudonym Marek van der Jagt. The prize jury called the author "a writer unequalled in ambition, productivity and intellectual power".
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