Wintercafé 4: Rules for Radicals 2.0

This evening we will look for a pragmatic manual for the creation of harmful literature, street noise and bombs under the canon. What are the new strategies used today by the internet-networking elite-intellectual populist-engaged artist of today?

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Information

Date and time Friday 15 January 2010 23:05 tot 23:50 uur
Location Filmhuis - zaal 7

Nowadays, where does an angry artist leave his rage and criticism? In 'Rules for Radicals' we search for a pragmatic manual for the making of harmful literature, street noise and bombs for the national canon. Which are the new strategies for today's artists? In this programme we propose a new form of radicalism. The artist should penetrate the system as a sheep in wolves' clothes in order to eat the codes and replace them with others. No overt opposition, but infiltration. The good example: The Yes Men, with their 'identity correction'. The Yes Men disguise themselves as big criminals with the objective to humiliate them publicly. And who are these criminals? CEOs and representatives of big companies who put profit above everything else. In Dutch. See also the movie that is shown in advance of this programme: The Yes Men Fix the World. In English (Dutch subtitles).

Soundos

(Amsterdam, 1981) is an actress, host and stand-up comedian. In 2006 the magazine BLVD declared her one of the most promising women in the Netherlands. Soundos el Ahmadi received national renown in her role as the Moroccan farm girl Aïsha in the film Shouf Shouf Habibi. After secondary school she went to drama school for a while, but left it prematurely to make her own theatrical productions and to become a stand-up comedian. Without any experience she made it to the finale of the stand-up comedy tournament of the Amsterdam Kleinkunst Festival and joined Toomlers almost immediately. As one of the latest members of the Comedytrain she makes fun of her Amsterdam-Moroccan origin and social biases. Right now she tours the country with The Girls' Night Out.
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Saskia De Coster

(Belgium, 1976) in the blurb of her novel Wij en ik (We and I, 2013) Tom Lanoye called her ‘for years the most stubborn, most capricious and most attractive pen in Belgium. In this penetrating family novel she chastises modern European man and describes how strong family ties are. ‘The Great Flemish novel isn't dead. It has just been written by Saskia De Coster’, Herman Koch wrote. Multitalented De Coster made her debut in 2000 with the story Onder elkaar (Among Each Other). She writes with gusto and soaks her stories - often populated by unwordly characters  - in a firm dash of humor. She writes columns too, is a visual and video artist and she writes for the theatre - and lyrics. Saskia De Coster is very active on international literary stages. De Costers latest novel was published in 2015 and received (just like 'Wij en ik' did) the 'Cutting Edge Award'.
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Chris Keulemans

(Tunisia, 1960) is a writer, essayist, traveller and popular panel moderator. He has published fiction and non-fiction; was the director of the debating platform and venue De Balie; and was founder of the literary bookshop Perdu and the cultural centre De Tolhuistuin (all in Amsterdam). He performed with Enkidu Khaled in their jointly created documentary play Bagdad. Due to his curiosity about how artists recreate their cities after a crisis, he travelled to Sarajevo, Beirut, Tirana, Algiers, New York, Kiev, Jakarta and Qamishlo. At the invitation of PAX, he wrote Srebrenica & PAX 1995-2020, an overview of 25 years of support to the Association of Women of Srebrenica by the IKV and PAX in response to the genocide in Bosnia. In 2021 he published Gastvrijheid (Hospitality), in which he explores the art of hospitality through a mix of travel stories, observations, memories and imagery.
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Het Verbond Tegen De Liefde

Bert Hana (Heerlen) is a theatre maker, host and organiser of theatrical events. The general public know him from tv commercials. He played the frightened boy with the quarterly figures in a Cup a Soup commercial and was a sausage seller in an Unox tv advert. In 2009 he hosted the Uitmarkt programme in Theater Frascati. In 2000 Hana moved from Limburg to Amsterdam, where he took drama, singing and dancing lessons with theatre group De Nieuw Amsterdam. Since then he has played in various theatre productions, films and tv series. Late 2009 Hana won the Fringe Award for his performance Papadag (Daddy Day) a ‘slide show’ where dad Bert Hana reports on his holiday with his daughter of six.
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Hylke

performs sporadically with performer UNOM. Their first joint stage experience was with the poets' collective Poetry Circle. Then the two lost sight of each other, but when they met again Hylke took the guitar and they jammed away. Short films of these sessions can be seen on youtube. Meanwhile a year has gone by and they will have their initiation as a duo during Winternachten.
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