Speech, Silence

Poetry reading, with new work, with and by George Abraham, Asta Olivia Nordenhof, Pelumi Adejumo, Yasmin Namavar, Rešoketšwe Manenzhe and Maureen Ghazal.

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Information

Date and time Friday 24 January 2025 20:20 tot 21:10 uur
Location Theater aan het Spui - Zaal 2
Price SOLD OUT

In Speech, Silence, six poets responded to the question: what is poetry's relation to silence? Their poetry readings included new work, written especially for this purpose. You saw and heard Palestinian-American poet George Abraham, Danish writer and poet Asta Olivia Nordenhof, South African writer and poet Rešoketšwe Manenzhe and, from the Netherlands, poets Pelumi Adejumo, Yasmin Namavar and Maureen Ghazal.

This programme takes it's title from the poem Sprekers, zwijgers by the Dutch writer Lidy van Marissing, published in her latest collection De verwerping van het stilzitten (The rejection of inaction, 2024). Van Marissing's poem speaks of a "language half speaking, half silent, rocking back / and forth in between."

Palestinian-American poet Fady Joudah commented on speaking and silence in an interview with The New Inquiry: "We need to learn how to listen in silence to the Palestinian in their silence. So far, when a Palestinian goes silent, it means they are dead or violable, digestible, liable for further erasure or dispossession. English has not begun imagining the Palestinian speaking, let alone understanding Palestinian silence."

Fady Joudah's words made us rethink poetry and silence. Poetry, and our discourse about poetry, always run the risk of degenerating into a domestication of silence, a way of making silence available and digestible to an audience, often in a language that is also used to commit the atrocities producing so many forms of silence.

The poets recited their new work written especially for Speech, Silence in their preferred language of writing. The poems were simultaneously projected in Dutch and/or English.

Speech, Silence was curated for Writers Unlimited Festival 2025 by Maarten van der Graaff.

George Abraham

(USA) is a Palestinian American poet, performance artist, and writer. They are the author of When the Arab Apocalypse Comes to America (Haymarket Books, 2026) and Birthright (2020) which won the Arab American Book Award and was a finalist for the Lambda Literary Award. They edit for Mizna, a Southwest Asian and North African diasporic literary journal, and are co-editor of HEAVEN LOOKS LIKE US: Palestinian Poetry (Haymarket Books, 2025). Their current projects also include Eve, a performance project with Fargo Tbakhi re-imagining Milton's Paradise Lost through the lens of Palestinian resistance. They currently teach in Amherst College's English department as a Writer-in-Residence.
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Asta Olivia Nordenhof

(Denmark, 1988) is an award-winning poet and author. In 2020 she published Money to Burn, which was awarded the European Union Prize for Literature. Revolving around the Scandinavian Star disaster in 1990 and tracing how capitalism infects ordinary lives, Money to Burn and The Devil Book caused an international literary sensation and are the first two instalments in a planned septology. They were published in their original Danish language versions in 2020 and 2023; the English versions in 2024 and 2025 respectively. In Money to Burn, Nordenhof tells the story of Maggie and Kurt’s marriage through different layers of love, betrayal, and poverty. At the novel’s midpoint, Nordenhof leaves the couple behind for an examination of what really happened. A national tragedy in both Norway and Denmark, it was later revealed to be an insurance scam.
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Yasmin Namavar

works as a psychiatrist and writes mostly poetry. Poems and essays by her have previously appeared in De Gids, Tirade, Hollands Maandblad, Poeziekrant, Trouw and Medisch Contact, and on various online platforms. She was a finalist in the 2022 El-Hizjra literature prize, poetry category. In December 2024, her essay De dagen van binnen (The Days Within) will be published in Over ziek zijn (About Being Sick) a collection of essays by multiple authors by HetMoet Publishers. Her real debut will follow in spring 2025: the poetry collection verblijf (stay) with Jurgen Maas Publishers.
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Rešoketšwe Manenzhe

(South Africa) is a poet, short story writer and novelist. Her short stories and poems have appeared in the Kalahari Review, Fireside Fiction, Praxis Magazine, Lolwe, FIYAH, and the 2017 Sol Plaatjie European Union Anthology, among others. She holds a master’s degree in chemical engineering from the University of Cape Town (UCT). Her debut. the historical novel Scatterlings (2020) is set in 1927, when South Africa passes the Immorality Act, prohibiting sexual intercourse between “Europeans” (white people) and “natives” (Black people). Those who break the draconian new law face imprisonment. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state.
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Maureen Ghazal

(1995) is a poet, writer and performer. She graduated from the Willem de Kooning Academy in 2018 and won the El Hizjra literature prize for her poetry in the same year. Her work has been published in De Gids, De Revisor and Deus Ex Machina, among others. She has performed, at venues such as Crossing Border Festival, Read My World and the Winter Garden Festival. In her work, she writes about native soil, connecting languages and landscapes and womanhood. Maureen participates in Wintertuin's development programme and is currently working on a chapbook.
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Pelumi Adejumo

(1998) is a writer and multidisciplinary artist. In 2023, she received the Frans Vogel Poetry Prize for her multilingual work. Her practice explores the relationships between multilingualism, the body, mythology and collective memory, often through sound, performance and text. She was the translator of the multimedia performance Minor Music at the End of the World, which premiered in 2025 at Internationaal Theater Amsterdam. In 2025/2026, she will be one of the participants in the MacDowell Fellowship in New Hampshire. Adejumo publishes and performs both at home and abroad. Her work has been featured in De Gids, De Groene Amsterdammer, Point de Chute, Furious Flower IV, Museum Arnhem, Kunstmuseum Den Haag, A Tale of A Tub and Savvy Contemporary, among others. She has also worked as a thesis supervisor at the Sandberg Master BlackerBlackness Studies and is active as a programmer and translator at the international literature festival Read My World.

Instagram: @pelumiadejumo
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