(Winterswijk, 1944) was the first Poet Laureate of the Netherlands. He is considered one of the best columnists in the country, a novelist, renowned translator, and an enhtusiastic reviewer of poetry. Komrij is a cat in a Strange Warehouse, as he called a book of collected essays that came out in 2001. The world is never a trusted or obvious place, but if you look good, there's always something surprising around. 'I don't think I'm a no-nonsense guy. There's too much noise inside of me'. Komrij, who has lived in Portugal since 1984, is one of the most productive Dutch writers. Since 1968 he has published several works annually. Recently Komrij's choice of the one-hundred best Dutch poems (2008) appeared, in addition to an anthology of Dutch children's poetry in over 1000 poems (2007) and Kakafonie (2006), an 'encyclopaedia of shit'. In 2005 he published Eendagsvliegen (Ephemera, literary diary entries) and a volume of poetry Fata Morgana.

(Paramaribo, 1971) Her Aukan mother and Saamaka father are descendants of the Marrons, Africans that refused to accept slavery and withdrew in the backwoods. Louise Wondel grew up with these notions of freedom. She is part of the generation that was raised in a western, intellectual fashion; not just in the traditional way. As a student of sociology in Surinam, and someone who researches the African-Surinam culture, Louise Wondel knows better than anyone what the state of her country and people is. Her poems are an accusation against the suppression of the Marrons, and against the estrangement that city life brought about in their culture, norms and values.

(Amsterdam, 1971) travelled to Egypt at age 24 to do research among Egyptian contemporaries. That not only earned him a degree in religious anthropology, but also his debut, Een goede man slaat soms zijn vrouw (A Good Man Sometimes Hits his Wife). It was an instant success and Volkskrant and Radio 1 Journaal asked him to become a correspondent in the Arab World. Later he also worked for NRC Handelsblad and NOS. During his stay he wrote Een tipje van de sluier (A Corner of the Veil) and after his return to the Netherlands in 2003 Het zijn net mensen (People Like Us), on his experiences as a correspondent. Meanwhile Luyendijk has shifted his attention elsewhere: Dutch politics and sustainability. His latest book, Je hebt het niet van mij, maar…Een maand aan het Binnenhof (Don’t mention my name, but… A Month in Parliament), caused a great deal of controversy in Dutch journalist circles. Joris Luyendijk took a closer look at the bell-jar world of Dutch politics. With some amazement he describes how close the link between journalists, lobbyists, public relations officials and politicians is. In 2006 and 2007 Luyendijk hosted the tv interview programme Zomergasten (Summer Guests) and in 2007-2008 and 2008-2009 Wintergasten (Winter Guests). Since March 2010 he is one of the regular hosts of the late night radio current affairs programme Met het oog op morgen (With a View to Tomorrow).

Township music from South-Africa