Performing Poets and stories

20050301173351

Information

Date and time Saturday 30 January 1999 20:30 tot 23:45 uur
Location Theater aan het Spui - foyer

The popular South-African performer Soli Philander presented the programme in the foyer, with 'performing poets' and writers from Suriname, Curaçao, South-Africa and Indonesia. The great Indonesian poet Rendra confirmed his excellent qualities as a performer. Winston Scholsberg told traditional Surinamese stories.The Antillian poet Gibi Bacilio performed with percussionist Xavier Cordoba. Jit Narain, Surinamese/Hindustani poet, read his poems in Sarnami. Poet and streetsinger Loit Sôls accompanied himself on guitar.

Jit Narain

(Jidt Narainsingh Baldewsingh, Livorno, Surinam, 1948) Born in Suriname, Jit Narain is the grandson of Indian immigrants. In 1969 he went to the Netherlands to study medicine and became a doctor in The Hague. He returned to Suriname in 1991. Since then he has been heading the head of an outpatients clinic in Saramacca. He is a fervent defender of the emancipation of Sarnami, the Hindu-Surinamese language and for his efforts received the Rahman Khan prize. Narain writes poems which can be read and sung. The poems reflect the history and memories of Hindustan immigrants in Suriname. He writes in Sarnami and in Dutch, approaching the same secret history of immigrants from different perspectives. He made his debut in 1977 with the poetry collection in Sarnami Dal Bhat Chatni (Rice, yellow peas and chutney). His debut has been followed by six other collections of poetry.
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Soli Philander

(Cape town, 1958) is a popular stand-up comedian in South Africa. He performs as a presenter in television and radio shows and in the theatre. Had a lot of success during his Winternachten 1998 performance. He gives a sharp and humorous comment on the situation in his country.
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Rendra

(Solo, Mid-Java, 1935 - Bogor 2009) was a poet, dramatist and actor. From 1964 to 1967 he lived in the United States, where he studied at the American Academy of Dramatic Art. In 1968 he founded the Bengkel Teater in Depok, which was controversial due to its singular choice of material. His unconventional behavior and critical attitude was the cause of conflict with the government. As a poet he debuted in 1957 with the collection Ballada orang-orang tercinta (Ballad of the loved people). Several other collections include Blues untuk Bonnie (Blues for Bonnie, 1961) and Sajak-sajak sepatu tua (Poems of old shoes, 1972) His work has been translated in English, German and Dutch. Rendra placed his poetry in the tradition of Indonesian oral culture and considered literature a 'performing act'.
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Gibi Bacilio

(Curaçao, 1950) is a poet and a literary performer. He studied philosophy and theology in Colombia and The Netherlands. In Utrecht he finished his studies at the Academy of Expression, and became a tutor of dramatic expression. He lives on Curaçao, where he is very active in street theatre, especially with the group Grupo di Teatro Foro of which he was the artistic leader during the seventies and eighties. He produced and presented cultural television programs and trained and became an expert in the field of oral literature and written rhythmic poetry. Bacilio writes about the colonial past, the Indians, the slaves and the dominant and confusing position of the Dutch. But there is also tenderness and eroticism in his work. His poems have been published in various collections and magazines. In 2000 his collection of poems Kueru Marká was published.
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Loit Sôls

(Retreat, South-Africa, 1957) grew up in the cape province. He worked as a graphic designer but is now a famous face in Cape Town, being a street singer and poet. He plays guitar and sings in Goema – a composite street language taken from many languages. For Sôls, language is a way of life: Kyk mooi na dié Taal. (Take a good look at this Language). Hoe haal sy asem? (How does it breath?) Noemmit Patois of Pidgin, (Call it Patois or Pidgin), djy waste jou wasem (You are wasting your breath) en djy hoonie rai beat-tie. (And you don’t hear the beat). Taken from: Dié Taal (This Language). In 1998, the collection My streat and other talk-poems appeared.
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Winston Scholsberg

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