Literary Heat - The Female Gaze

Women's voices reshaping erotica, a discussion with Yael van der Wouden, Onjuli Datta and  Mikaella Clements. Video by Leonie Dams. Host: Mojdeh Feili.

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Information

Date and time Friday 24 January 2025 22:35 tot 23:01 uur
Location Theater aan het Spui - Zaal 2
Price SOLD OUT

Erotica is often dismissed as a genre filled with stereotypes. Bouquet books with muscular men on the covers come to mind. Rarely, it is seen as an art form. Is this because erotic literature is inherently lacking, or is it because the open discussion of sexual desire, especially by women, is still considered taboo? English spoken.

Authors Yael van der Wouden, Mikaella Clements and Onjuli Datta guaranteed an engaging discussion on what makes erotica powerful, how voices of women are reshaping the genre, and whether erotic stories deserve the status of literature with a capital L. The programme opened with a short video made for the occasion by famous reviewer and reading vlogger Leonie Dams. Host was Mojdeh Feili.

Yael van der Wouden is a writer and teacher of creative writing and comparative literature. Together with Daphne Huisden and Simone Atangana Bekono, she wrote the mosaic narrative Vlucht/Dans/Vondst (Flight/Dance/Finding, 2023). Her debut as a novelist The Safekeep (2024) is one of six books shortlisted for the 2024 Booker Prize. Yael is the first Dutch author to make the shortlist.

Onjuli Datta (UK) is the co-author of Feast While You Can, a queer horror-romance which the New York Times described as 'adventurous, exciting, fantastical and erotic', and of the novel The View Was Exhausting. Her writing has been featured in Salon, Reactor Magazine, Lithub, Autostraddle, Vulture and more. She lives in Berlin with her wife and co-author Mikaella Clements.

Mikaella Clements is an Australian writer currently based in Berlin. With her wife Onjuli Datta, she co-wrote Feast While You Can (2024), an 'exciting new hybrid horror-romance  about queer love in a small town that serves as an unsettling reminder that the horrors of modern life are a monster ready to possess us all' (New York Times Book Review), as well as The View Was Exhausting. Her non-fiction has been published in the New York Times, Guardian, Washington Post, TLS, and many others. She has a Masters in English Studies from the Freie Universität Berlin.

Leonie Dams is a video creator, 'dweller of fictional worlds', makes reviews, reading vlogs and all sorts of other bookish, English spoken content that is viewed by many on her YouTube and Instagram platforms titled The Book Leo.

Mojdeh Feili is a writer, editor, book reviewer and programme maker. In 2021, her story Zeemeermens was published in the collection Damn Horny and in 2020, her story Eindelijk als Alice was published in the collection De goede immigrant.

Reading tip: the essay The Best Queer Sex Scenes in Literature (2024, published by the digital publisher Electric Literature).

Literary Heat - The Female Gaze was curated for Writers Unlimited Festival 2025 by Mojdeh Feili.

Yael van der Wouden

(1987) is a writer and teacher of creative writing and comparative literature. Together with Daphne Huisden and Simone Atangana Bekono, she wrote the mosaic narrative Vlucht/Dans/Vondst (Flight/Dance/Finding, 2023). Her debut as a novelist The Safekeep (2024) is one of six books shortlisted for the 2024 Booker Prize. The Safekeep is set in the rural Dutch Overijssel province in the early 1960s. Isabel lives alone in her late mother's house, where everything quietly rolls along until her brother Louis shows up on her doorstep with his new girlfriend Eva to spend the summer with her. Eva is the opposite of Isabel in everything. Then little things start disappearing from the house. Feverishly, Isabel keeps an eye on the new woman, until, at the height of the sweltering hot summer, she makes a mysterious discovery that unravels all she has ever known.
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Mikaella Clements

is an Australian writer currently based in Berlin. With her wife Onjuli Datta, she co-wrote Feast While You Can (2024), an 'exciting new hybrid horror-romance' about queer love in a small town that serves as an unsettling reminder that the horrors of modern life is a monster ready to possess us all' (New York Times Book Review), as well as The View Was Exhausting, which was a Goop book club pick and named one of the best books of the summer by Vogue. Mikaella's short stories have been anthologised in Black Inc.’s Best Summer Stories (2018) and Kill Your Darlings’ New Australian Fiction (2019). Her non-fiction has been published in the New York Times, Guardian, Washington Post, TLS, and many others. She has a Masters in English Studies from the Freie Universität Berlin.
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Onjuli Datta

(UK) is the co-author of Feast While You Can, a queer horror-romance which the New York Times described as 'adventurous, exciting, fantastical and erotic.' She is also co-author of The View Was Exhausting, a Goop and Good Housekeeping book club pick named 'a perfect summer read' by Vogue. Her writing has been featured in Salon, Reactor Magazine, Lithub, Autostraddle, Vulture and more. She lives in Berlin with her wife and co-author Mikaella Clements.
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Leonie Dams

is a book lover and online reviewer. Her short story Zaailing was a finalist in the erotic writing competition Het Rode Oor 2024. With her (English-language) YouTube channel The Book Leo, she inspires young people and twenty-somethings worldwide to read more. In her videos, she shares book tips, reviews and analysis of popular book trends. She is especially known for her humorous criticism of modern romantic stories and likes to look at literature from a feminist angle.
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Jennifer Muntslag

(1983) also known as JNM the Naked MC, is a versatile presenter, actress, MC and performer who has built a strong reputation within the cultural and creative sector. Professionally, she is known for her dynamic and energetic stage presence, bringing events to life with her unique style of presenting and interacting with the audience. As ‘The Naked MC’, Jennifer is known for her “unfiltered” and honest style. ‘Naked’ refers to her urge to speak and act without masks or façades.
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