(1985) started studying classical piano as a child, sang in various pop bands, and studied piano and voice at the Amsterdam Conservatory. She also studied in Berlin; arranged music for The Jazz Orchestra, the Concertgebouw and Frommermann (among others); is the in-house arranger and musical director of New Amsterdam Voices; and leads close-harmony workshops at various music schools. She also heads her own quintet. On her EP Gedichten van de Torenkamer (Poems from the Tower Room), she sets Dutch poetry to music for a special lineup of classical and jazz musicians. She chose the poems intuitively by "speaking, singing and feeling", such as Remco Campert's Lamento and Tuin (Garden) by Rutger Kopland.(WN 2019)
Archive available for: Maartje Meijer
With: Aad Meinderts, Annemarie Estor, Douwe Draaisma, Hans Aarsman, Hassnae Bouazza, Jan van Aken, Jenny Arean, Maartje Meijer, Marja Pruis, Mathilde Santing, Maxime Garcia Diaz, Nelleke Noordervliet, Pauline Krikke, Robert van Asten, Sumai Yahya
Appearances by singer, cabaret artist and actress Jenny Arean (accompanied on piano by Peter van der Zwaag), singer Mathilde Santing (accompanied by musicians Bastiaan Mulder and Guus Bakker), memory psychologist and author Douwe Draaisma, jazz pianist and composer Maartje Meijer and photographer and writer Hans Aarsman made this a fantastic Schrijversfeest edition.
They performed to honour the winners of the literary prizes that the Jan Campert Foundation awarded on behalf of the City of The Hague. These were handed out during this Winternachten festival afternoon by the Mayor of The Hague, Pauline Krikke, and Robert van Asten, alderman for mobility, culture and strategy.
The Schrijversfeest was opened by young poet Maxime Garcia Diaz who reads from her own work. Then high-school students recited their poetry written during workshops at school. Among them Sumai Yahya, who won the Young Campert Prize last year. The audience decided which of three student nominees won this award for a young Hague poet this time.
Nelleke Noordervliet received the Constantijn Huygens Prize for her complete oeuvre. Since 1987 she has published a large number of novels, novellas, stories, essays and radio commentaries. Themes of historic ties, freedom, the collective and responsibility characterize her work. Her latest novel is Aan het eind van de dag (At the End of the Day, 2016)
Jan van Aken received the F. Bordewijk Prize for his novel De ommegang (The Procession). It takes place in Europe during the year 1400, "a time when fierceness prevails, death is always lurking, and the equally brilliant and opportunistic protagonist attempts to defend his position so that he can build a cathedral", according to the jury.
Annemarie Estor received the Jan Campert Prize for Niemandslandnacht (No-Man's-Land Night). This swirling prose poem, which reveals itself further at every reading, evokes a world that is both surreal and contemporary.
The biannual J. Greshoff Prize went to Marja Pruis for her essay collection Genoeg nu over mij (Enough Now about Me). "I" must deserve you, writes the journalist, critic and writer. She certainly deserves this prize for her full-out and unabashed thinking and writing.
This programme is a collaboration with the Jan Campert Foundation / Literature Museum.