Wintercafé 2: Pupils & Hélène Gelèns on revelations

Hélène Gelèns and pupils of local secondary schools read their own work on ‘revelations’. In Dutch.

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Information

Date and time Saturday 17 January 2009 21:10 tot 22:00 uur
Location Filmhuis - zaal 7

As on Friday night, pupils from local secondary schools showed their poetic disposition and were reading their work on the topic of revelations. Poet Hélène Gelèns also read from her work.

Behsat Üvez

(Ankara, 1959) sings and plays traditional Turkish music, but likes to make outings to jazz and improvised music. In Turkey Üvez played for years with various dancing groups and orchestras, like the Ankara State Ensemble, before coming to the Netherland in 1989. He plays traditional Turkish string instruments like the baglama (or saz), cura, tar, cümbüs and ud, in addition to various percussion instruments. Üvez is not only a great expert in Turkish music, but also in other mediterranean rhythms like Balkan music. He plays in various ensembles and together with clarinettist Steven Kamperman founded the ensemble Barana & Co, mixing Turkish sounds with jazz, world music and improvisation. Üvez is a teacher of music in Groningen and Hoogezand and gives music workshops on a regular basis.
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Wim Brands

(Brummen, NL, 1959 - Amsterdam, 2016) was a poet, journalist, and media presenter. At a young age he debuted as a poet in the Dutch literary magazine Hollands Maandblad. Since then he has published books of poetry quite regularly, such as Neem me mee zei de hond (Take Me With You Said the Dog, 2010). After the publication of his first collection Inslag (Impact, 1985), he began working as an interviewer for the VPRO broadcasting company. Later he became head producer of the Radio 6 programme "De Avonden." Since 2005  he talked to writers on VPRO's book programme "Boeken" on both TV and radio. He put together Briefgeheimen (Postcard Secrets, 2007), a colourful compilation of postcards linked to a website where people can divulge their deepest secrets. Overkomst dringend gewenst (Return Voyage Urgently Requested), his anthology of the work of poet Jan Emmens, was published in 2012, and his most recent poetry collection, 's Middags zwem ik in de Noordzee (In the Afternoons I Swim in the North Sea) in 2014. Brands was one of the "Lonely Departure" poets who compose and present a final poetic tribute to people who pass away without friends or family.
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Neske Beks

(Belgium, 1972) is a writer, transdisciplinary artist and a film and theatre maker. She debuted with De Kleenex Kronieken (The Kleenex Chronicles, 2014), a family and village chronicle featuring Priscilla, the daughter of a Flemish father and a Senegalese mother. She published the children's book Sala & Monk in 2020. In Echo - essays, speeches en brieven (Echo - essays, speeches and letters, 2021), named after the poem Echoes by Audre Lorde, she places her finger on a sore spot. Not only is the white gaze still dominant in our society, Black women are doubly disadvantaged: they aren't white and they aren't men. Beks shows how systematic is not to be seen or heard. Her essay De kleine Morrison: een wegwijzer in het lezen van haar werk vanuit Zwart perspectief (The Little Morrison: A Signpost to Reading Her Work from a Black Perspective, 2023) offers readers of Toni Morrison, the most famous female black writer and Nobel Prize for Literature winner who died in 2019, insight into her life and work. Beks shows that in everything she does, Morrison invites self-critical reflection on language, structure, power, gender, race, law and injustice, blackness, the white gaze and the meaning of oral and written narratives.
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Hélène Gelèns

(Bergschenhoek, 1967) made her debut in 2006 with the volume of poetry Niet beginnen bij het hoofd (Do Not Start with the Head), but she already had performed since 2000 at several literary festivals. In 2002 she took part in Poetry International in Rotterdam. Gelèns writes comical, graceful poems with serious undertones, with special emphasis on love and language and the writing of poetry itself. Her style is characterised by repetition and rhythm. Gelèns studied astronomy, Dutch, history and philosophy, only to complete the latter. Before her debut she already published poems and essays in literary magazines such as Krakatau and De Tweede Ronde, in anthologies and philosophical publications.
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