Mind this book

What poems are better left unread and which books are a bad influence on one's mental health? The authors have at each other with gruesome examples.

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Information

Date and time Friday 15 January 2016 22:00 tot 22:35 uur
Location Theater aan het Spui - Zaal 1

In his worldwide hit The Dinner, Herman Koch explores difficult-to-imagine situations; in his recently filmed Kessels stories, P.F. Thomése immerses himself in gut-driven psychology. What attracts these authors to danger? Can writing itself be dangerous?  Do they also seek out danger as passionate readers?  Which writers do they admire, and why? Can literature be contagious? A playful and personal dialogue.

P.F. Thomése

(Doetinchem, NL, 1958) is a highly versatile writer who constantly changes up his work. Sometimes his tone is serious, as in Schaduwkind (Shadow Child, 2003), about the death of his young daughter. This bestseller was translated into more than fifteen languages. In 2009's  J. Kessels, The Novel he channels an altogether different voice. A semi-parody of the hard-boiled crime novel, it features one of Thomése’s favourite recurring characters, J. Kessels, living it up a he smokes cigarettes and devours deep-fried meatballs. The book was made into a film in 2015, starring Frank Lammers and Fedja van Huêt. De onderwaterzwemmer (The Underwater Swimmer, 2015) about the life Tin, who as a child loses his father on a dark night in wartime, shows that only man himself can alter his destiny. In 1991 Thomése won the AKO Literature Prize for Zuidland (Southland), and in 2012, the Bob den Uyl Prize for Grillroom Jeruzalem.
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Herman Koch

(Arnhem, NL 1953) had his international breakthrough with The Dinner, a novel that spent weeks on the New York Times bestseller list, has been published in 37 countries, and has been adapted for stage and screen. The dark story of boys from a good family who murder a drifter mainly addresses the question of how responsible parents are for the misdeeds of their children. Adolescent behaviour was also the theme of Koch's debut novel, Red ons, Maria Montanelli (Save Us, Maria Montanelli, 1989). In Zomerhuis met zwembad (Summer Cottage with Pool, 2011), he again showed how easily successful people can fall from grace. His characters inevitably say or do unexpected things, which is also the case in his short-story collection Korte geschiedenis van het bedrog (A Short History of Deception, 2013). In his latest novel, Geachte heer M. (Dear Mr. M.), he takes aim at Dutch writers. Koch is also a columnist and an actor, as well as the creator of Jiskefet, an absurdist public-television series.
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