Nelleke Noordervliet: The text of my life

"is the first monologue of Media from Euripides' play" She explains why to Manon Uphoff and Aleid Truijens. In Dutch.

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Information

Date and time Saturday 19 January 2013 21:40 tot 22:00 uur
Location Theater aan het Spui - De Kas

About the text of her life Nelleke Noordervliet says: "Medea in Euripides' tragedy of the same name. A profound first confrontation at grammar school. That first monologue addressing the women of Corinth, she, a stranger, a woman..." She talks about the text with Manon Uphoff and Aleid Truijens, and to the audience in the Greenhouse.

Nelleke Noordervliet

(Netherlands, 1945) writes novels, stories, essays, lectures and columns with a strong historical bent. She debuted with 1987's Tine of de dalen waar het leven woont (Tine, or the Valleys Where Life Lives), a fictitious biography of 19th-century Dutch writer Multatuli's first wife. Her book De naam van de vader (The Name of the Father) won the 1994 Multatuli Prize. In 2002 she wrote Pelican Bay, about slavery in the Caribbean and the Netherlands. Her essay collection Schatplicht (Tribute) appeared in 2013, and her 2016 novel Aan het eind van de dag (At the End of the Day) is simultaneously a portrait of a career woman and a snapshot of the second half of the 20th century. De val van Thomas G. (The fall of Thomas G.) tells about the publisher of a controversial book. Noordervliet's body of work was awarded the 2018 Constantijn Huygens Prize.
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Aleid Truijens

(Amsterdam, NL 1955) writes for daily newspapers and mgazines, particularly about art, literature, upbringing and education. In 2012 she published a book about these topics. In it she sketches the dilemmas of modern parenthood. In her weekly column for Volkskrant too Truijens writes a lot about upbringing and education. She made her debut in 2004 with Geen nacht zonder (Not a Night without), about a four-year old girl suffering from leukemia and the impact it has of the family. This novel was translated in German. Her second novel Vriendendienst (Friendly Turn; 2007) is about a bunch of schoolfriends taking stock together around their fiftieth birthday. They are all traumatised by the early suicide of one of their friends. In 2011 her biography about the writer F.B. Hotz appeared, about whom she had already published in the 1990s. In 1997 she published a biography of the renowned Dutch writer Hella Haasse.
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Manon Uphoff

(The Netherlands, 1962) is a Dutch writer, screenwriter and visual artist. She made her debut in 1995 with the collection of short stories Begeerte (Desire), which was nominated for the AKO Literature Prize, the Anton Wachter Prize and the ECI Prize. The title story was awarded the Rabobank Spring Prize for Literature. Her first novel Gemis (1997) was nominated for the Libris Literature Prize. Her most recent book, Vallen is als vliegen (Falling is Like Flying, 2019), was shortlisted for both the 2019 Bookspot Literature Prize and the 2020 Libris Literature Prize. The novel was named the best Dutch-language novel of 2019 by NRC Handelsblad and Humo. Uphoff was editor of the literary magazine De Revisor and board member and president of PEN Netherlands. As a screenwriter, she wrote the feature film screenplay Een Groot Geweld (Topkapi Films).
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