(Ireland, 1979) is a literary expert and journalist who lives and works in Dublin. He writes for publications like the New Yorker, The Independent en New York Times Magazine. His 2018 debut To Be a Machine was nominated for the prestigious Baillie Gifford Prize, the most important British non-fiction award. In the book, O'Connell researches trans-humanism, a Silicon Valley subculture that devotes itself to radical life extension by melding man and technology. In 2018, O'Connell told the NRC: "They have a mechanistic view on what it means to be human. They literally see humans as machines. [...] My inquiry was into the question of what it means for a human to become a machine, but ultimately I learned more about what it means to be human."

(The Netherlands, 1984) is a writer of novels, screenplays, plays, short stories and essays on media and popular (online) culture. Bervoets made her debut in 2009 with Of hoe waarom (Or How Why), followed two years later by Lieve Céline (Dear Céline), which was awarded the Opzij Literature Prize. A year later, the bestseller Alles wat er was (Everything That Was) was published, followed by Efter (2014), Ivanov (2016), Fuzzie (2017) and Welkom in het Rijk der zieken (Welcome to the Kingdom of the Sick) (2019). In 2017, Bervoets won the BNG Bank Literature Prize for Ivanov, and in the same year she also won the Frans Kellendonk Prize for her entire oeuvre. In 2021, her first collection of short stories, Een modern verlangen (A Modern Desire), was published and awarded the J.M.A. Biesheuvel Prize. In 2025, her tenth novel, Geld verdienen (Earning Money), was published. When Ellie and Freya each need money for their own reasons, they decide to take control of the stock market. After all, don't they deserve to be rich too?

Go to the website of Hanna Bervoets
Instagram: @hannabervoets

(1968) is a programmer, writer, organizer, lecturer and podcaster, mainly on the subject of film and often in combination with literature. Koning Film is the collective of speakers on film that she established. Heywegen's books include The Other Director, about directors of photography; she collaborated with Frans Westra on Passie voor Cinema (Passion for Cinema), which highlights four decades of film screenings in the Netherlands; and she edited and wrote for the film magazine Skrien. Currently, she writes regularly for the websites of the Netherlands Society of Cinematographers and literary magazine Elders.