Bas Heijne's text of his life

is a fragment from the Dutch novel De Stille Kracht by Louis Couperus. Want to know why? In Dutch.

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Information

Date and time Saturday 19 January 2013 22:00 tot 22:20 uur
Location Theater aan het Spui - De Kas

Dutch critic and essay-writer Bas Heijne reads a fragment from the Dutch novel De Stille Kracht by Louis Couperus. Want to know why this text means so much to him? Come to the Greenhouse, and talk to him and hosts Manon Uphoff and Aleid Truijens about his choice. In Dutch.

Bas Heijne

(Nijmegen, NL, 1960) writes essays, short stories and plays, and is a columnist with the daily newspaper NRC Handelsblad. He published the novels Laatste woorden (Last words) and Suez and received the Henriëtte Roland Holst Prize in 2005. In 2011's Moeten wij van elkaar houden, het populisme ontleed (Do We Have to Love One Another? Populism Dissected) Heijne shows how globalisation and individualism pave the way for populism. Angst en schoonheid (Fear and Beauty) was published in 2013, an essay about Dutch writer Louis Couperus, whom Heijne admires. In the same year his documentary about Couperus was broadcast. In 2015 he hosted the five-part documentary De volmaakte mens (The Perfect Human). In 2016 his essay Onbehagen – nieuw licht op de beschaafde mens (Discontent - new light on civilized man) was published. In 2017 Heijne received the P.C. Hooft Award for his essayistic works.
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Manon Uphoff

(The Netherlands, 1962) is a Dutch writer, screenwriter and visual artist. She made her debut in 1995 with the collection of short stories Begeerte (Desire), which was nominated for the AKO Literature Prize, the Anton Wachter Prize and the ECI Prize. The title story was awarded the Rabobank Spring Prize for Literature. Her first novel Gemis (1997) was nominated for the Libris Literature Prize. Her most recent book, Vallen is als vliegen (Falling is Like Flying, 2019), was shortlisted for both the 2019 Bookspot Literature Prize and the 2020 Libris Literature Prize. The novel was named the best Dutch-language novel of 2019 by NRC Handelsblad and Humo. Uphoff was editor of the literary magazine De Revisor and board member and president of PEN Netherlands. As a screenwriter, she wrote the feature film screenplay Een Groot Geweld (Topkapi Films).
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Aleid Truijens

(Amsterdam, NL 1955) writes for daily newspapers and mgazines, particularly about art, literature, upbringing and education. In 2012 she published a book about these topics. In it she sketches the dilemmas of modern parenthood. In her weekly column for Volkskrant too Truijens writes a lot about upbringing and education. She made her debut in 2004 with Geen nacht zonder (Not a Night without), about a four-year old girl suffering from leukemia and the impact it has of the family. This novel was translated in German. Her second novel Vriendendienst (Friendly Turn; 2007) is about a bunch of schoolfriends taking stock together around their fiftieth birthday. They are all traumatised by the early suicide of one of their friends. In 2011 her biography about the writer F.B. Hotz appeared, about whom she had already published in the 1990s. In 1997 she published a biography of the renowned Dutch writer Hella Haasse.
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