Auke Hulst on writer Philip K. Dick and 'A Scanner Darkly'

Dutch author, composer and musician on the works of American cult writer Philip K. Dick, famous for his prescience about the downsides of technology, consumption and hedonism.

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Information

Date and time Saturday 19 January 2019 21:15 tot 21:55 uur
Location Filmhuis - zaal 1

Versatile author, composer and musician Auke Hulst is a fan of the American writer Philip K. Dick, who enjoys huge renown and cult status due to his prescience about the downsides of technology, consumption and hedonism. Films such as Blade Runner, Total Recall and Minority Report are based on his work. Hulst told us more about the author, his work, and why it appeals to him, as well as about his favourite film adaptation of Dick's work: A Scanner Darkly by Richard Linklater. The film will be shown as of 22.10 in Filmhuis Zaal 1.

Auke Hulst

(Hoogezand-Sappemeer, NL, 1975) modelled his successful third novel, Kinderen van het Ruige Land (Children of the Rough Country, 2012) on his youth; it won several prizes. Slaap zacht, Johnny Idaho (Sleep Sweetly, Johnny Idaho, 2015) and En ik herinner me Titus Broederland (And I Remember Titus Brotherland, 2016) both won the novel prize of the Harland Awards. Aside from writing, Hulst is a literary critic, travel journalist and essayist. In 2017 he initiated Als dit zo doorgaat (If this Goes on), a story collection in which 24 Dutch writers react to the right shift in the political climate. He is also a musician. His books Wolfskleren (Wolf's Clothing, 2009) and Motel Songs (2017) both had accompanying albums and he is the frontman of the Dutch-language band De Meisjes (The Girls).
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Gerlinda Heywegen

(1968) is a programmer, writer, organizer, lecturer and podcaster, mainly on the subject of film and often in combination with literature. Koning Film is the collective of speakers on film that she established. Heywegen's books include The Other Director, about directors of photography; she collaborated with Frans Westra on Passie voor Cinema (Passion for Cinema), which highlights four decades of film screenings in the Netherlands; and she edited and wrote for the film magazine Skrien. Currently, she writes regularly for the websites of the Netherlands Society of Cinematographers and literary magazine Elders.
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