The text of my life: José Eduardo Agualusa

Writers present their favourite literary texts. Which memory, what feeling does this text call up for them? A continuous interview programme.

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Information

Date and time Friday 15 January 2016 20:00 tot 20:20 uur
Location Filmhuis - Studio A

In Filmhuis Studio A the festival's guest writers present their favourite literary texts and explain why a particular poem, novel excerpt, or song lyric influenced their life and work. Which memory, what feeling does this text call up for them? A continuous interview programme, in which the audience also talks with the writers. Hosted by Arjan Peters. In English

Arjan Peters

(Amsterdam, NL, 1963) studied Dutch language and literature in Amsterdam. He writes reviews, interviews, columns and obituaries, and heads the books section of De Volkskrant newspaper. In 2011 he published Eindelijk Sneeuw (Snow at Last: twelve wintry stories about artists, writers, and books, from Willem Witsen's cityscapes to the tears of Mrs. Dickens). Exerpts from his reviews and interviews were published in the books Langzaam lopen is al verdacht (Walking Slowly is Suspicious, 1999), De ongeneeslijke lezer – een werkboek (The Incurable Reader: a workbook, 2002), Het woord is aan de schrijver (The Writer Has the Floor, 2005), and De Broodschrijver (The Hack, 2006), about Bart Chabot's biography of Herman Brood. In 2012 he published Kreten uit een urn (Cries from an Urn), a lecture on the role of the critic in our time. His text "Naar boven mit Brakman" ("Up With Brakman") accompanied the 2015 unveiling of the Brakman monument in Enschede.
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José Eduardo Agualusa

(Angola, 1960) has published an extensive body of work comprising novels (15 titles), short stories and novellas (7 collections) and numerous journalistic pieces (including for the Brazilian newspaper O Globo). As an important literary voice and a leading author of the Portuguese-speaking world, his at times magical-realist narratives, often rich in historical context, humor and references to Angola, also appeals to many readers outside that world: his work has been translated into at least 25 languages. In A General Theory of Oblivion (2016), a woman with agoraphobia barricades herself in her flat in Luanda. She remains there for thirty years while her country goes through various political stages, from colony to socialist republic and from civil war to peace and capitalism. His latest novel is Mestre dos batuques (2024, Master of Drums). In it, Agualusa rewrites history and describes how drums played an important role in the resistance against the Portuguese colonisers. He also collaborated with Mia Couto on the screenplay for José Miguel Ribeiro's magical realist animated feature film Nayola (2022), which explores this theme.

Watch the trailer of the film Nayola on YouTube
Instagram: @jose_eduardo_agualusa
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