Arnon Grunberg
(Netherlands, 1971) is one of the most successful Dutch writers, both at home and abroad. The prolific novelist, columnist, essayist, poet and scriptwriter lives and works mainly in New York. His fiction tackles themes such as religion, parenthood, love and relationships. His essays, columns, debates and performances seek out the polemics on topical issues. His debut novel and international breakthrough, Blauwe maandagen (Blue Mondays, 1994), was followed by award-winning and internationally successful novels such as Phantom Pain (2000), The Asylum Seeker (2003), Tirza (2006), Onze oom (Our Uncle, 2007), Huid en haar (Tooth and Nail, 2010), Moedervlekken (Birthmarks, 2016) and Bezette gebieden (Occupied Territories, 2020). Between 2000 and 2008 he also published novels and essays under the pseudonym Marek van der Jagt. The prize jury called the author "a writer unequalled in ambition, productivity and intellectual power".
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Love, hate, whatever! It's all about me!
With: Arnon Grunberg, Gerlinda Heywegen
Mel Brooks - isn't he the director of films like Spaceballs and Blazing Saddles? Someone you love or... just not?
That's right! Thursday evening 17 March was all about the American actor, comedian, film director, screenwriter and producer, known for his persiflage and satirical jokes. Based on film fragments, Writers Unlimited film editor Gerlinda Heywegen and writer Arnon Grunberg discussed the phenomenon Mel Brooks.
Arnon Grunberg saw Brooks' first film The Producers (1968) at the right time and in the right place: just after he moved to New York. The film made a great impression on Grunberg. Not least because of its outspoken humour typically New Yorker, according Brooks himself.
Hollywood and show business were central to this programme. Mel Brooks honoured and persiflated many film genres with his satire. He turned a failed musical about Hitler into a film story (The Producers) and morphed the western (Blazing Saddles), the horror genre (Young Frankenstein) and science fiction (Spaceballs) to his own universe. And then, of course, there is Hitler. Hitler whom he took revenge on, time and again, by making fun of him endlessly.
If you stand on a soapbox and trade rhetoric with a dictator you never win...That's what they do so well: they seduce people. But if you ridicule them, bring them down with laughter, they can't win. You show how crazy they are. - Mel Brooks
Mel Brooks' autobiography, All about me, was recently published, and with more than 450 pages, he isn't going anywhere. Grunberg and Heywegen both praised and detested Brooks. They both agree that he is more than just a joke, but after that, opinions soon differed: love, hate, whatever! It's all about Brooks!
Dutch-language programme.
Programme composed by Gerlinda Heywegen (Writers Unlimited). Book sale by De Vries Van Stockum Boeken. -
1984: War is Peace, Freedom is Slavery, Ignorance is Strength
With: Arnon Grunberg, Gerlinda Heywegen
Writers Unlimited presented the filmprogram 1984: War is Peace, Freedom is Slavery, Ignorance is Strength. The world-famous dystopian future novel Nineteen Eighty-Four (aka 1984) by George Orwell from 1949 and its film adaptions give a gloomy world view, which is regularly referred to even now, in "corona times". With quotes and film fragments, novelist, columnist, essayist, poet and screenwriter Arnon Grunberg and film editor of Writers Unlimited Gerlinda Heywegen discussed 1984.
"The past was erased, the erasure was forgotten, the lie became the truth." - 1984
Increasing government control, fake news, hoaxes, algorithms lead to confusion and even revolt. How current is Nineteen Eighty-Four after more than seventy years? Are "we" in 2021 being controlled to such an extent that it can lead to a 1984? Does technological progress make it possible and is our world capable of it? What does Orwell's research of humanity mean for our time?
"In 1984 there is a very powerful element in which the government can create an alternative reality," says Michael Newton, lecturer in English literature at Leiden University. "The truth becomes something pliable, which you can prescribe an alternative version of." - nu.nlThe 1984 television adaptation was first broadcast by the BBC on December 12, 1954, and then repeated live on December 16. Viewers were shocked by Orwell's vision of a future authoritarian state and by the scenes in which the hero Winston Smith was tortured in the infamous Room 101. Complaints poured in and questions were asked in The Parliament. The BBC rerun would almost have been cancelled: the broadcast went ahead with 1 vote in favour. When it was broadcast a few days later, it immediately attracted the largest number of viewers ever. Years later, in 2000, Nineteen Eighty-Four ranked seventy-third of the 100 best British television programs of the 20th century.
Dutch filmprogram.
Event curated by Gerlinda Heywegen (Writers Unlimited)
Books for sale courtesy of De Vries Van Stockum Books
Please note!- It is mandatory to show an identity card and a corona admission ticket at the entrance.
- The corona admission ticket is mandatory for adults and children older than 13 years.
- There is a maximum occupancy of 75% in Studio B, Central Library.
- When entering the Central Library, wearing a face mask is mandatory. This can be taken off again when you take your seat in the venue.
- In the event of cancellation due to corona complaints, we return the purchase amount.
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It's Up to Us & PEN Award
With: Arnon Grunberg, Eva Meijer, Jaap Tielbeke, Mirthe Frese, Raoul de Jong, Salena Godden, Samanta Schweblin, Simon(e) van Saarloos, Tsitsi Dangarembga
"It's up to us" is a statement made by philosopher, songwriter and author Eva Meijer in a radio program, as she was speaking about her novel De nieuwe rivier (The New River), which deals with the climate crisis. It's no longer up to you, the individual, to make the difference, but up to us. This statement became the theme of this online edition of the Winternachten Festival. But we also pose the question of which "us" we are talking about. Who is we?
We discussed this matter with writers Arnon Grunberg, Eva Meijer, Raoul de Jong, Tsitsi Dangarembga and Samanta Schweblin, moderated by Mirthe Frese.
0:00 - Intro.
1:52 - Arnon Grunberg (Netherlands), opening statement.
11:13 - Eva Meijer, Raoul de Jong (Netherlands), intro discussion
12:21 - Eva Meijer, recitation
14:01 - Raoul de Jong, discussion and recitation
17:16 - Eva Meijer, Raoul de Jong, discussion
32:11- Raoul de Jong, recitation
33:12 - Salena Godden (UK), spoken word
39:28 - Tsitsi Dangarembga (Zimbabwe), interview
52:57 - Simon(e) van Saarloos, performance
1:00:40 - Samanta Schweblin (Germany), interview.
1:11:52 - Jaap Tielbeke (Netherlands), performance.
1:16:58 - Arnon Grunberg, interview.
1:21:43 - Tsitsi Dangarembga, life and work video
1:30:08 - PEN Award for Tsitsi Dangarembga.Arnon Grunberg opened the discussion by a statement from New York. In his speech on Remembrance Day in The Netherlands, Grunberg made it clear that we must take a good long look at ourselves; racism is deeply rooted in our culture. Our "we" is still far from inclusive.
In connection with his new novel Jaguarman, Raoul de Jong told Dutch daily de Volkskrant that, currently, one is often expected to feel like the representative of a group. He prefers to stay true to his own rhythm and message.
The Zimbabwean writer and filmmaker Tsitsi Dangarembga, taking part from Harare, spoke about what "we" means to her in Zimbabwe's current postwar society. Dangarembga's novel This Mourning Body was shortlisted for the 2020 Booker Prize.
With the Argentinean author Samanta Schweblin, Mirthe Frese talked about the interconnectedness of mankind, and about humanity in an era of new technologies. These appear to form a new universal language between people. In her novel Little Eyes Schweblin investigates how technology creates togetherness and alienation.
To broaden the sense of "we", the Winternachten Festival asked three authors to write a dedicated contribution about the Winternachten festival theme. We saw and heard, from here or far away, Salena Godden, Simon(e) van Saarloos and Jaap Tielbeke. From whose idea of "we" do they want to make a difference? What is needed to feel a sense of "us"? And is it even really up to us? Arnon Grunberg concluded by reflecting on the conversations and sharing his thoughts.
Following this discussion, the PEN Award for Freedom of Expression was handed out to Tsitsi Dangarembga. With The PEN Award, in a co-production with PIP The Hague that supports the Award, writers organisation PEN International honours authors who seek and speak out the truth risking their freedom and lives.
Read here the contributions written for this programme on request of the Winternachten international literature festival The Hague:
- The Religion of Group Identity | Arnon Grunberg
- A different kind of we | Eva Meijer
- Letter to My Younger Self | Jaap Tielbeke
- Everything is Anana | Raoul de Jong
- We could be Heroes | Salena Godden
- I have little time and lots to say | Simon(e) van Saarloos
(Find the Dutch-language versions here/Lees hier de Nederlandstalige versies)Learn more here:
Tsitsi Dangarembga
"Life in an 'ever narrowing Zimbabwe'", interview with Tsitsi Dangarembga, Al-Jazeera, 2020
Video: "Being shorlisted for the Booker Prize changed my life", interview with Tsitsi Dangarembga, France24, 2020
Salena Godden
website
Video: Salena Godden recites her poem The Letter from the collection Pessimism is for Lightweights, ArtHouse Jersey, 2020
Video: Salena Godden, spoken-word performance I want to be your wife, lead track of her newly released The Lockdown EP, Nymphs & Thugs, 2020Arnon Grunberg
website
Video: conversation with Arnon Grunberg about what the covid19-pandemic means for our society and democracy, De Balie Live, 2020Raoul de Jong
website
Audio: interview with Raoul de Jong about his novel Jaguarman, Radio Rijnmond, 2020Eva Meijer
website
Interview with Eva Meijer about De nieuwe rivier (The New River), Het Parool, 2020
Video: Interview with Eva Meijer about her book De nieuwe rivier (The New River), Kunststof, NPO Radio 1Simon(e) van Saarloos
website
Instagram
Audio The Asterisk Conversation #1 podcast: Simon(e) van Saarloos, Nalo Hopkinson, Tirsa With, Writers Unlimited, 2020Samanta Schweblin
Instagram
Video: Samanta Schweblin talks about her book Duizend ogen (Little Eyes, 2020)Jaap Tielbeke
Essays and articles by Jaap Tielbeke in De Groene Amsterdammer - The Religion of Group Identity | Arnon Grunberg
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Opening Night: It's Up to Us & PEN Award
With: Arnon Grunberg, Eva Meijer, Jaap Tielbeke, Mirthe Frese, Raoul de Jong, Salena Godden, Samanta Schweblin, Simon(e) van Saarloos, Tsitsi Dangarembga
"It's Up to Us" is a statement made by philosopher, songwriter and author Eva Meijer in a radio program, as she was speaking about her novel De nieuwe rivier (The New River), which deals with the climate crisis. It's no longer up to you, the individual, to make the difference, but up to us. This statement was chosen as the theme of this online edition of the Winternachten Festival. However, we pose the question of which "us" we are talking about. Who is we?
We discussed this matter with writers Arnon Grunberg, Eva Meijer, Raoul de Jong, Tsitsi Dangarembga and Samanta Schweblin, moderated by Mirthe Frese.
Arnon Grunberg opened the discussion with a statement from New York. In his Dutch Remembrance Day speech, Grunberg made it clear that we must take a good long look at ourselves; racism is deeply rooted in our culture. Our "we" is still far from inclusive.
In connection with his new novel Jaguarman, Raoul de Jong told the Dutch daily De Volkskrant that, these days, one is often expected to represent a group. He prefers to stay true to his own rhythm and message.
The Zimbabwean writer and filmmaker Tsitsi Dangarembga, taking part from Harare, spoke about what "we" means to her in Zimbabwe's current postwar society. Dangarembga's novel This Mourning Body was shortlisted for the 2020 Booker Prize.
The Argentinean author Samanta Schweblin spoke about the interconnectedness of mankind, and about humanity in an era of new technologies. These appear to form a new universal language between people. In her novel Little Eyes, Schweblin investigates how technology creates togetherness and alienation.
To broaden the sense of "we", the Winternachten Festival commissioned three authors to write a short piece on the Winternachten festival theme. From their own perspectives, we heard from Salena Godden, Simon(e) van Saarloos and Jaap Tielbeke. From whose idea of "we" do they intend to make a difference? What is needed to feel a sense of "us"? And is it even really up to us? To conclude, Arnon Grunberg reflected on the conversations and shared his thoughts.
Following this discussion, the PEN Award for Freedom of Expression was presented to Tsitsi Dangarembga. In a coproduction with PIP The Hague, which supports this prize, the writers' organization PEN International honours authors who currently seek out and speak the truth at risk to their freedom and lives with the PEN Award.
Watch a film portrait of Tsitsi Dangarembga here.You can read the contributions commissioned for this program by the Winternachten International Literature Festival The Hague here:
- The Religion of Group Identity | Arnon Grunberg
- A Different Kind of We | Eva Meijer
- Letter to My Younger Self | Jaap Tielbeke
- Everything is Anana | Raoul de Jong
- We Could be Heroes | Salena Godden
- I Have Little Time and Lots to Say | Simon(e) van Saarloos
(Find the Dutch-language versions here/Lees hier de Nederlandstalige versies)More background:
Tsitsi Dangarembga
"Life in an 'ever narrowing Zimbabwe'", interview with Tsitsi Dangarembga, Al-Jazeera, 2020
Video: "Being shorlisted for the Booker Prize changed my life", interview with Tsitsi Dangarembga, France24, 2020
Salena Godden
website
Video: Salena Godden recites her poem The Letter from the collection Pessimism is for Lightweights, ArtHouse Jersey, 2020
Video: Salena Godden, spoken-word performance I want to be your wife, lead track of her newly released The Lockdown EP, Nymphs & Thugs, 2020Arnon Grunberg
website
Video: conversation with Arnon Grunberg about what the covid19 pandemic means for our society and democracy, De Balie Live, 2020Raoul de Jong
website
Audio: interview with Raoul de Jong about his novel Jaguarman, Radio Rijnmond, 2020Eva Meijer
website
Interview with Eva Meijer about De nieuwe rivier (The New River), Het Parool, 2020
Video: Interview with Eva Meijer about her book De nieuwe rivier (The New River), Kunststof, NPO Radio 1Simon(e) van Saarloos
website
Instagram
Audio The Asterisk Conversation #1 podcast: Simon(e) van Saarloos, Nalo Hopkinson, Tirsa With, Writers Unlimited, 2020Samanta Schweblin
Instagram
Video: Samanta Schweblin talks about her book Duizend ogen (Little Eyes, 2020)Jaap Tielbeke
Essays and articles by Jaap Tielbeke in De Groene Amsterdammer - The Religion of Group Identity | Arnon Grunberg
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VPRO O.V.T. Live
With: Arnon Grunberg, Bart Funnekotter, Bas Heijne, Eric Vloeimans, Ian Buruma, Ilja Leonard Pfeijffer, Jos Palm, Karin Amatmoekrim, Nelleke Noordervliet, Paul van der Gaag
NO TICKETS LEFT - Every Sunday morning, the relevance of history is the focus of one of the most popular radio programs in the Netherlands. This edition of OVT will be broadcast live from the festival's cozy Wintercafé in the Theater aan het Spui. Come watch and listen!
Writers from the Winternachten Festival will join this programme for interviews: Ian Buruma, Ilja Leonard Pfeijffer, Bas Heijne, Karin Amatmoekrim and Arnon Grunberg. Writer Nelleke Noordervliet will read her column. Bart Funnekotter presents the book reviews this week. With live music by trumpet player Eric Vloeimans. Programme in Dutch.
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IS: The Counter-Narrative
The so-called Islamic State is more than a band of rebels or a terror network. Their campaign of terror in conquered villages and cities, their terrorist attacks in Europe, and their written and visual propaganda looks and sounds like a coherent horror story of "the enemy" as well as a recruitment campaign for potential international jihadists. IS publish a glossy magazine and put masses of energy into the recruitment of sympathizers among youth who are seeking identity and meaning in the virtual world. And they don't limit themselves to Muslim youth. In short, IS understands the power of the word and greatly emphasizes the imagination.
In IS: The Counter-Narrative, Hassnae Bouazza directs the conversation about how to counteract the horror campaign and propaganda machine. Dutch-Kurdish Beri Shalmashi offers up a video essay about similar groupings, visual representation and propaganda. Frank Westerman takes us into the past and shows how we in the Netherlands have reacted to extremist acts, and how we could now choose the right words and actions to win the battle of ideas. Arnon Grunberg gets under the skin of jihadists from the West, and wonders whether their existential motivation diverges fundamentally from that of an average Western military on a mission. Rodaan Al Galidi shows us the bigger picture of the relationship between Europe and the Middle East and presents his vision of how to understand IS as a symbol of today's transnational world. He also provides the night's finale in the form of a performed poem; the musical epilogue is by Jeanine Valeriano and her Spoken Beat Night.
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IS: The Horror Show
A late-night show about a daring subject: today's campaign of terror by the Islamic State within and outside the Arabic world. Iraqi-born writer Hassan Blasim - The Guardian called him "perhaps the best writer of Arabic fiction alive" - reads from his short story collection The Corpse Exhibition (2014) in which he pictures daily life in contemporary Iraq not only by vivid, lurid and violent scenes but by showing the surreal, humoristic and enchanting sides of his characters. The collection is published in its Dutch language version titled Lijkententoonstelling during Winternachten Festival 2017.
Journalist Hassnae Bouazza discusses the subject with Hassan Blasim, with highly esteemed political essayist Ian Buruma and with Dutch top writer Arnon Grunberg.
How should one analyze staged and theatrically planned murderous acts? What is the relationship between IS's bombastic horror-pathos and the fascist European propaganda of the 1930s?
Spoken Beat Night accompanies Hassan Blasim during the reading from The Corpse Exhibition
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This Is Not America (Part 2)
The unexpected election of businessman Donald Trump as president of the United States will be signed and sealed in Washington this Friday, 20 January. The choice of Trump is seen primarily as a protest by citizens against the established political elite, and a sign of broad discontent among the American public. Is the USA our role model - will voters stand up against the political establishment here as well? In Europe in 2017, significant elections will take place in the Netherlands, France and Germany; the Dutch will be first to go to the ballot box on 15 March to elect their members of parliament. Should we expect a surprise?
In This is Not America, writers and journalists will compare the USA and the Netherlands under the knowledgeable direction of Stephan Sanders. Margriet Oostveen wrote a column for NRC Handelsblad from the US about daily life there; currently she does the same for the Volkskrant about the Dutch from the Netherlands. Bas Heijne offers a broader cultural context for the general discontent; Ian Buruma, a citizen of and expert on both countries, makes comparisons; and Arnon Grunberg reflects on what he hears and sees in the streets of New York and The Hague. Jeanine Valeriano and her Spoken Beat Night finish up the evening with a sparkling performance.
